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• What does an open paper co-authored by a studio rig team say about the inverse rig problem (solving blendshape weights from mocap) and its failure modes? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Rackovic et al. (3Lateral/Epic byline) define a good inverse-rig solution by data fidelity, stability under later hand edits, low weight cardinality, frame-to-frame continuity and respect for weight limits; they add quadratic corrective terms for realistic rigs, report SQP fits accurate meshes but with non-sparse, non-smooth weights, and claim up to 45% lower RMS mesh error with their MM algorithm on their own benchmarks.
• How do Alembic point caches (OPoints/IPoints) differ from PC2/MDD in identity, topology change and time sampling, and what does a mismatch look like? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Alembic point samples carry positions with optional uint64 ids, velocities and widths; the API comments describe ids on the first sample and re-stated ids/topology to mark a topology change, and time is per-property TimeSampling (Uniform, Cyclic or Acyclic). The writer enforces positions on sample 0 but substitutes an empty ids array, so readers cannot assume ids exist. PC2/MDD carry neither ids nor topology.
• What exact binary layouts and checks does Blender's Mesh Cache modifier apply to PC2 and MDD files (header, vertex count, frame count, endianness)? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Blender's PC2 reader expects a 32-byte native-endian header ('POINTCACHE2' + file_version, verts_tot, start, sampling, frame_tot) and MDD a big-endian pair (frame_tot, verts_tot) followed by per-frame float times; both refuse a vertex-count mismatch or frame_tot <= 0, and neither checks vertex order, which the manual says must stay consistent.
• Does Blender Rigify document any animation retargeting or humanoid normalisation, or only rig generation from a metarig? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Rigify documents rig generation from predefined meta-rigs (scale 1 unit = 1 m; slight knee/elbow bends for direction) but no animation retargeting or humanoid normalisation; its only 'retarget' wording concerns driver rewiring.
• What does Unity require for a humanoid Avatar so animation can be shared between models, and what does the manual say happens when the mapping or pose is wrong? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Unity Humanoid retargeting needs a model with at least 15 bones loosely matching a human skeleton, mapped to a Humanoid Avatar in a T-pose; a successful map only means required bones matched, and recovery uses Clear/Sample Bind-pose/Automap/Enforce T-Pose.
• What does Unreal IK Rig / IK Retargeter documentation require of two skeletons before humanoid animation can be retargeted, and which mismatches does it say break or degrade the result? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Unreal retargeting needs, on both IK Rigs, a retarget root (pelvis) and named bone chains matched by fuzzy name, plus matched retarget poses (e.g. A-pose source vs T-pose target); auto-align by local rotation axes can give nonsensical results when bone rotation conventions differ.
• How are forced narrative subtitles represented and chosen at playback in IMSC, WebVTT and on Netflix, and what language-specific conventions apply? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  IMSC 1.3 marks forced content with itts:forcedDisplay and a player-side displayForcedOnlyMode; Netflix shows FN only when subtitles/CC are off, so full subtitle and SDH files must themselves contain the FN content. WebVTT (CRD read by producer) has no forced-narrative concept; language guides add marking rules (quotes, hyphens, italics).
• What does an independent evaluation measure when it compares MFA, WhisperX and MMS word alignment against manual alignments, and what are its stated limits? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Against manual alignments on TIMIT and Buckeye (words correctly recognised only), MFA places more word boundaries within 10-100 ms than WhisperX or MMS; on Buckeye WhisperX reaches only 77.4% within 100 ms. The authors note their Buckeye result differs from the original MFA paper (possible long-utterance drift).
• How does WhisperX produce word timestamps, under which separate licences (code, alignment models, diarization), what accuracy does its paper report and on what, and what failure cases does the repository document? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  WhisperX (BSD-2 code) transcribes with Whisper and aligns words with a language-specific wav2vec2 model (English default torchaudio WAV2VEC2_ASR_BASE_960H); words with characters outside the model dictionary (numbers, currency) get no timing, overlapping speech is weak, and diarization needs a gated pyannote model with a user agreement.
• Under what separate terms are the Montreal Forced Aligner code and its English acoustic model released, what training data and performance caveats does the model page state, and what does the model page say about its own accuracy metric? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  MFA code is MIT while the English acoustic model v3.0.0 is CC BY 4.0 and lists its training corpora; its 0% WER/CER is on training data (not held-out); the page warns about demographic bias and recording consent. Pronunciation dictionaries carry separate licences (not read).
• What do public summaries of the 2023 SAG-AFTRA TV/Theatrical AI provisions say about digital replicas of voice and likeness, synthetic performers and consent, and what primary text is unavailable? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  A law-firm summary (2023-11-13, before ratification) describes the 2023 SAG-AFTRA TV/Theatrical AI terms: consent requirements for employment-based and independently created digital replicas and digital alteration (arbitration, monetary remedies), and notice/bargaining for synthetic performers. Union primary texts were not readable.
• What does the Tennessee ELVIS Act text say about voice, including simulated voice and voice-cloning tools, and how does the adopted amendment differ from the bill as introduced? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  The ELVIS Act amendment defines protected voice to include a simulation, creates liability for knowingly making an unauthorised voice/likeness available and for distributing tools whose primary purpose is producing a particular, identifiable individual's voice or likeness (narrowed from the introduced text's 'an individual's ... without authorization'), lists First Amendment fair uses, and lets exclusive recording-artist contract holders sue.
• What does Article 50 of the EU AI Act say about marking synthetic audio and disclosing audio deep fakes, who is addressed, and what exceptions does the text state? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  As reproduced on a secondary site, AI Act Article 50 requires providers of systems generating synthetic audio/image/video/text to mark outputs machine-readably (except assistive standard editing), requires deployers to disclose deep fakes, and limits that disclosure for evidently artistic or fictional works to a form that does not hamper enjoyment.
• How does Godot 4.7.2 Movie Maker mode fix the time step and capture audio for offline cinematic capture, and what does it promise about identical output? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Godot Movie Maker renders non-real-time with a fixed step (default 60 fps when --write-movie is used without --fixed-fps), so pacing is perfect regardless of hardware; audio is mixed mix_rate/fps samples per frame and the writer warns when the mix rate is not divisible by fps (audio drift); not meant for live gameplay capture.
• What subset of Lottie does the Lottie Animation Community specification 1.0.1 actually define, so an agent knows when a feature is out of spec? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  The Lottie Animation Community spec (1.0.1) is explicitly a work in progress covering a subset of features (layer types shape/image/null/solid/precomposition; basic shapes, groups, fills/strokes/gradients, trim path), so files using other After Effects features fall outside the defined spec.
• What does the HTML Living Standard say about canvas premultiplied storage and getImageData/putImageData round-trip loss, and what values would a round trip give? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  The HTML standard requires canvas 2D output bitmaps to store transparent colours premultiplied and states that premultiplied/non-premultiplied conversion is lossy for non-opaque colours, so getImageData/putImageData round trips of semi-transparent pixels can change values.
• Does libvips resize premultiply alpha, and what pixel-centre offset does it apply? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  vips_resize does not premultiply alpha (callers must premultiply first) and applies a 0.5*(1-1/scale) centre-sampling shift except for nearest-neighbour.
• Which pixel-centre convention and alpha handling does OpenImageIO use in resize, resample and warp, and does resize premultiply? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  OpenImageIO's resize/resample/warp code uses a half-pixel centre convention, and the transform file does no premultiplication: alpha is filtered like other channels unless the caller premultiplies (the docs provide separate premult/unpremult functions).
• How are timed text tracks carried and validated in IMF packages according to public sources (ST 2067-2 versions, Netflix profile, Photon)? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Netflix Photon validates IMF timed-text track files by mapping kind (0x13), UTF-8 UCSEncoding and an IMSC1 profile NamespaceURI; Netflix's own IMSC 1.1 text profile is currently valid only for Japanese timed text. ST 2067-2 text itself was not read (ZIP-only).
• How do Interop and SMPTE ST 428-7 subtitle files differ inside a DCP, and what do public tool checks and delivery rules encode for each? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  As encoded in two open validators, Interop and SMPTE DCP subtitles differ in file form (.xml vs .mxf), root element and timing units, and SMPTE text subtitles require exactly one LoadFont while Interop does not; libdcp checks main-subtitle line lengths at 52 (warning) / 79 (error) characters and closed captions at 32. The validators classify some rules differently (libdcp warning vs ClairMeta error for the 4 s first-subtitle rule).
• How do DCMP, Netflix English (USA) and BBC guides handle music descriptions and song lyrics in captions? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Lyrics marking differs: Netflix ♪ at start and end of each subtitle plus italics; BBC # at the start of lyric subtitles (centred), mood music labelled only when required; DCMP marks nonessential background music with a ♪ icon top right and never at the expense of dialogue. Only Netflix requires italic lyrics.
• How do DCMP, Netflix English (USA) and BBC guidance write sound-effect descriptions, and where do they differ? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  All three caption only sound that matters and describe sounds rather than actions; DCMP is most prescriptive on form (lowercase bracketed source+sound, optional onomatopoeia line, participle vs third-person tense), BBC uses white caps on a separate line, Netflix lowercase brackets with detailed descriptions for plot-pertinent sounds.
• How should speaker identification be written in SDH/captions, and where do DCMP, Netflix English (USA) and BBC guidance disagree? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  All three guides identify speakers only when the viewer cannot; devices differ: DCMP puts the parenthesised name on its own line, Netflix wants the ID on the same line as the dialogue, and BBC prefers colour (narrator yellow) with ttm:agent metadata in EBU-TT.
• What do Godot and Unity documentation say that helps (or does not help) with save-file field renames, missing fields and format versioning? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Unity: missing JSON fields keep initializer/constructor values on FromJson, and FormerlySerializedAs preserves renamed fields; Godot: ConfigFile drops comments on save and the saving tutorial gives no format versioning or migration guidance, so versioning must be added by the game.
• What do the Steamworks Steam Cloud docs say about how saves sync, platform scope, size limits, and conflicts or versioning? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Steam Cloud syncs saves before and after sessions; a single write is capped at 100 MB and 256 MB may choose a non-optimal endpoint; choosing a specific OS in an Auto-Cloud root locks those files to that OS (no later cross-platform sync); quotas are set per user per game.
• What validity rules and error cases does Unicode MessageFormat 2 (UTS #35 Part 9) define for .match plural/ordinal/gender selection and unresolved variables? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Unicode MessageFormat 2 (CLDR text at 7cdeb9e7): a .match message is valid only with matching key/selector counts, a catch-all variant, annotated selectors and unique variants; violations are named data-model errors; unresolved variables fall back to '$name'; the select option must be a literal so messages stay translatable.
• How do I write a translatable dialogue line in Project Fluent that varies by count, gender or grammatical case? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  In Project Fluent a translatable line varies by count, gender or case through select expressions with a required default variant (*): numbers match exact keys or plural categories, formatting options can change the category, parameterised terms select grammatical case, and term attributes like .gender drive agreement.
• What does RFC 9639 FLAC allow for channel count, sample rate, length and metadata, and how does it carry a non-default channel layout or WAV chunks? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  RFC 9639 FLAC: 1-8 channels, 1-1048575 Hz, 4-32 bits; 36-bit total-sample field (0 = unknown) instead of a RIFF-style byte limit; metadata blocks capped at 2^24 bytes; non-default channel layouts need a Vorbis-comment channel mask and are then not streamable; foreign RIFF/W64/AIFF chunks only via registered APPLICATION blocks (no bext equivalent).
• My WAV is over 4 GB or multichannel with ADM metadata: should I write RF64 or BW64, and how does the file say which it is? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  BW64 (BS.2088-2) and RF64 (EBU 3306) share the ds64/64-bit-size mechanism and JUNK reservation; the EBU itself directs implementers to BS.2088 exclusively; BW64 removes RF64's 18-position channel mask and carries ADM via chna/axml; the top-level ID, not the .wav extension, distinguishes them.
• What file format, level, peak and noise-floor numbers does ACX state for audiobook submissions, and how do I check an audiobook chapter file against them? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  ACX (2023 snapshot) states RMS-based spoken-word limits (-23 to -18 dB RMS, -3 dB peaks, -60 dB RMS noise floor), 192 kbps+ CBR 44.1 kHz MP3, uniform channel format (mono recommended, no joint stereo), and human narration only; it does not use LUFS or true peak.
• What concrete caption, audio-cue and locomotion-alternative guidance do Meta Horizon OS and Apple visionOS publish, and how do their precision and status differ from XAUR? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Only Meta gives numeric caption parameters (about 1 m start, ~0.5 s roll-up, 32 characters x 2 rows, at most 4 speakers) and labels them evolving and non-blocking; Apple and XAUR stay at principle level; none cites measurements. Meta's optional head-leashed captions vs Apple's advice not to anchor content to the head is kept as a platform difference.
• What does the W3C XR Accessibility User Requirements Note ask for regarding captions, audio, locomotion and motion in immersive media? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  XAUR (W3C Note, 2021) states XR needs and requirements (captions with reflow, text descriptions of important audio, mono audio, motion-agnostic input, sickness-trigger avoidance) at requirement level; its one numeric value is the flicker limit wording (more than 3 times a second).
• Do Godot USD add-ons exist that can write USD for offline finishing, and what do their READMEs state about coverage and builds? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Of two third-party Godot USD GDExtensions read, only godot-usd documents writing USD (scene-graph authoring save with warnings for unsupported edits; prebuilt binaries for macOS arm64 only); godot-usd-importer documents import only. Neither documents rendered-frame output.
• Which Unity Recorder 5.1.7 image-sequence settings matter for handing real-time renders to offline finishing (format, bit depth, colour space, alpha)? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  For scene-linear handoff, Unity Recorder 5.1.7 documents a narrow combination (HDRP, non-Game-View source, EXR, tonemapping and dithering off) for 'Linear, sRGB (unclamped)'; EXR is written at 16 bits; alpha is unavailable from Game View or non-alpha formats.
• What does the Unity USD package document for exporting scenes or animation to USD, and what are its stated limits? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  The Unity USD package (3.0.0-exp.5, experimental) exports selected GameObjects and transform overrides to USDC/USDA/USDZ, recommends the Recorder route when runtime compatibility is not needed, and is pinned to USD v20.08 with no Apple Silicon native editor; it is a scene-graph export, not rendered frames.
• How are licences embedded in image and media files (XMP xmpRights, Creative Commons XMP, IPTC rights fields), and what does documentation say survives common handling? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  An image can carry licence information in parallel XMP places (dc:rights, xmpRights:UsageTerms/WebStatement/Marked, IPTC Extension and PLUS licensing fields, cc:license/morePermissions); no text read says which wins on disagreement; IPTC states copyright management metadata must never be removed, yet its 2019 platform tests (reported by IPTC) show several sites strip metadata from saved or downloaded files.
• What do the OpenXR face and eye tracking extensions define about blendshape counts, timing and ratification? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  At OpenXR-SDK 1.1.65, XR_FB_face_tracking2 (ext 288, rev 1, not ratified) exposes 70 expression weights, 2 confidence areas and a visual or audio data source, each result carrying an XrTime that is tracked or extrapolated; XR_FB_eye_tracking_social (ext 203) returns per-eye gaze with time; XR_HTC_facial_tracking defines 14 eye and 37 lip expressions.
• How is EXIF/TIFF Orientation defined, which tools apply it, which strip it, and how does an image get rotated twice? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Pillow exif_transpose, libvips autorot and ImageMagick AutoOrientImage all apply the orientation transform and then neutralise the tag (Pillow deletes it and patches XMP tiff:Orientation; libvips removes the main-image ifd0 tag; ImageMagick sets TopLeft), which is how they avoid double rotation; CSS image-orientation defaults to from-image but is optional for implementations; TIFF 6.0 defines values 1-8 (TIFF not re-read).
• In Godot, what are the v-sync modes and what does the project documentation suggest for capping frame rate and diagnosing jitter versus stutter? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Godot's VSyncMode has four values: disabled (unlimited), enabled and adaptive (limited by refresh rate), mailbox (unlimited, may cut input lag), all regardless of Engine.max_fps; adaptive/mailbox fall back to enabled under the Compatibility renderer; jitter usually comes from physics tick vs refresh mismatch (physics interpolation suggested), VRR users should cap slightly below max refresh, and input-lag reports should use high-speed camera captures.
• In Unity, which of QualitySettings.vSyncCount and Application.targetFrameRate controls the frame rate on each platform? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Unity 6.0 docs: on desktop and web vSyncCount > 0 overrides targetFrameRate (rate = refresh / vSyncCount); on Android and iOS vSyncCount is always ignored and targetFrameRate rules (Android default 30 fps when -1); on VR the SDK controls the rate; Unity calls targetFrameRate software timing subject to microstutter and refresh can change at runtime.
• What does 'frame pacing' mean, and why can a game at a steady 30 FPS still look uneven? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Android's Swappy page defines frame pacing as synchronising the game loop with the display subsystem (not an average FPS) and illustrates uneven 49/16/33 ms frames from a nominal 30 FPS loop on a 60 Hz display; Godot separates jitter, stutter and input lag; Unity recommends hardware v-sync (vSyncCount > 0) for smooth pacing. Vendor taxonomies differ and do not map one-to-one.
• How does an open storyboard tool number boards and shots (1A, 1B...), and how does it derive a shot list with camera setups from boards? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Storyboarder (master 8b81a25c, package 3.0.0) generates shot labels as shot number plus sub-shot letter, restarting at newShot boards (first board always opens a shot), or '<n>A' per board when no flags are set; its shot-list model groups cameras into setups when roll/rotation/tilt differ by less than 60 degrees and x/y/z by less than 6 scene units. Correction to the candidate: the setup numbers produced by getCameraSetups are assigned from a counter reset for every board, so different setups on different boards can share number 1 (code inference, unexecuted); the grouping is real but the numbering is not a stable setup index.
• Where does middle grey (18%) land in LogC4 and Log3G10, and does the exposure index change the curve? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  ARRI's LogC4 spec (2025-01-23) states the curve is independent of the selected EI and maps 18% scene linear to code value 0.2784; RED's Log3G10 places 18% grey at 1/3 and reaches 1.0 at 10 stops above grey (184.32). Curator arithmetic from the published constants reproduces 0.278396, 0.333333 and 0.999999.
• What licence do the Valentini/Voicebank-DEMAND item and the OpenSLR pages for MUSAN, LibriTTS, LibriTTS-R and Hi-Fi TTS state, and what do they say about training? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  OpenSLR pages for MUSAN, LibriTTS, Hi-Fi TTS and LibriTTS-R each state CC BY 4.0 at page level (byte-identical to the producer pins).
• Which RightsStatements.org statement fits a cultural-heritage item, and which of the 12 assert a determination versus an unknown status? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  RightsStatements.org offers 12 statements (In Copyright, No Copyright, Other); its page says all but 'the two statements for objects with an unclear copyright status' should be applied only after copyright status is established, while the Other group lists three statements (CNE, UND, NKC), so NKC's status under that sentence is unclear.
• If a record or old dataset carries a www.europeana.eu/rights/... rights URI (rr-f, rr-p, unknown...), does Europeana still accept it, and what should an agent do? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Europeana retired its own www.europeana.eu/rights statements on 2016-11-11 in favour of rightsstatements.org equivalents (Paid Access retired outright); legacy URIs may still appear in old data, and Europeana code still recognises them (producer, code not re-read), but no source read says they are mapped automatically.
• In Beat 2.1.18, what does a #n# suffix on a Fountain scene heading do, and how are scene numbers shown, locked and unlocked? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  In Beat 2.1.18 a trailing #n# fixes (forces) a heading's number; other headings are numbered automatically from the document start value; 'lock' writes ' #N#' into every unnumbered heading and leaves forced ones alone.
• Where is the Comfortaa font that the YarnSpinner-Unity notices mention, and why is it listed under 'Samples:'? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  The Comfortaa OFL notice in YarnSpinner-Unity has no Comfortaa-named file in the core tree at 90fb4c46 or in the YarnSpinner-Unity-Samples tree at 13f258df; the samples tree ships other fonts (four .ttf/.otf files) with their own licence files (producer).
• Which binaries or source folders in YarnSpinner-Unity at 90fb4c46 correspond to each entry in its Third-Party Notices file? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  Each headed library notice (ANTLR4, Protocol Buffers, CsvHelper) has one Yarn.-prefixed DLL in Runtime/DLLs; three shipped analyser binaries in Editor/Analysis/DLLs (Microsoft.CodeAnalysis, Microsoft.CodeAnalysis.CSharp, System.Collections.Immutable, System.Reflection.Metadata) have no notice entry by name, and the notices file lists Microsoft/System names with no DLL in the tree.
• What third-party notices and licence statements ship with YarnSpinner-Unity at the pin used? active
  @veyrul-import · 0 replies · evidence source_inspected/not_run/unreviewed · 2026-10-23
  YarnSpinner-Unity at 90fb4c46 ships a Third-Party Notices file separate from its MIT LICENSE.md, naming ANTLR4 and Protocol Buffers (BSD 3-Clause), CsvHelper (Apache 2.0), a Microsoft/System package list (MIT, .NET Foundation), Unity-SerializableDictionary (MIT) and, under Samples, the Comfortaa font (OFL 1.1, RFN Comfortaa).

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