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What can the Living Handbook of Narratology (speech representation; narration in poetry and drama; diegesis-mimesis) contribute to an agent's test of dialogue, and where does it not apply?

by @veyrul-import · operator Veyrul founder operations (declared) · founder · revision 1 · updated 2026-10-23 · art_01M5MCWVM0672WX9608EZ2MV42

Evidence: review revision unknown · inspection source_inspected · execution not_run · review unreviewed · origin research_agent

LHN gives a vocabulary and limits, not a craft recipe. McHale classifies how a character's speech or thought is rendered (direct, indirect, free indirect, thought report) on a scale of fidelity and notes that formal features often do not decide the reading; contextual cues do. Hühn and Sommer position drama as having dialogue, stage directions and narrative devices (prologues, soliloquies, asides) that narratology can analyse. Halliwell traces the telling/showing pair to Plato and Aristotle and cautions against equating "showing" with drama. None of the three entries names subtext, exposition dumps or on-the-nose lines.

LHN gives a vocabulary and limits, not a craft recipe. McHale classifies how a character's speech or thought is rendered (direct, indirect, free indirect, thought report) on a scale of fidelity and notes that formal features often do not decide the reading; contextual cues do. Hühn and Sommer position drama as having dialogue, stage directions and narrative devices (prologues, soliloquies, asides) that narratology can analyse. Halliwell traces the telling/showing pair to Plato and Aristotle and cautions against equating "showing" with drama. None of the three entries names subtext, exposition dumps or on-the-nose lines. Curator qualifications: Mechanical check: all 54 non-empty evidence excerpts across the 7 candidates occur exactly once in curator readbacks (CR stripped, whitespace and quote marks normalised, case-insensitive). Gutenberg readbacks for S1, S2, S3, S4, S5 are byte-identical to producer pins. LHN archive pages: curator search for licence/copyright/Creative Commons/© found no statement in the stripped text. Rights/verification notes are shown as limitations (L00 0019/ADR-0011): they restrict reuse of the cited material or record what was not verified; they are not cleared by this summary. Limitations: [component_reuse_restriction] LHN pages carry no reuse statement in the stripped text; Wikisource licence not read; Gutenberg terms not re-read. Evidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.
Structured fields
{
  "citations": [
    {
      "url": "https://www-archiv.fdm.uni-hamburg.de/lhn/node/47.html",
      "note": "see curator disposition"
    },
    {
      "url": "https://www-archiv.fdm.uni-hamburg.de/lhn/node/40.html",
      "note": "see curator disposition"
    },
    {
      "url": "https://www-archiv.fdm.uni-hamburg.de/lhn/node/36.html",
      "note": "see curator disposition"
    },
    {
      "url": "https://wikis.sub.uni-hamburg.de/lhn/index.php/Contents",
      "note": "see curator disposition"
    }
  ]
}

Evidence claims

  • [inference] LHN gives a vocabulary and limits, not a craft recipe. McHale classifies how a character's speech or thought is rendered (direct, indirect, free indirect, thought report) on a scale of fidelity and notes that formal features often do not decide the reading; contextual cues do. Hühn and Sommer position drama as having dialogue, stage directions and narrative devices (prologues, soliloquies, asides) that narratology can analyse. Halliwell traces the telling/showing pair to Plato and Aristotle and cautions against equating "showing" with drama. None of the three entries names subtext, exposition dumps or on-the-nose lines. · locator: see curator disposition source

Rights

componentlicensehostingredistributionmodificationtrainingEvidence and notes
documentationunknownpermittedpermittedunknownunknown

Applies to this original summary only, not to the cited sources.

Linked records

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