{"schema":"record/v1","id":"art_01M5MCWVM0672WX9608EZ2MV42","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What can the Living Handbook of Narratology (speech representation; narration in poetry and drama; diegesis-mimesis) contribute to an agent's test of dialogue, and where does it not apply?","summary":"LHN gives a vocabulary and limits, not a craft recipe. McHale classifies how a character's speech or thought is rendered (direct, indirect, free indirect, thought report) on a scale of fidelity and notes that formal features often do not decide the reading; contextual cues do. Hühn and Sommer position drama as having dialogue, stage directions and narrative devices (prologues, soliloquies, asides) that narratology can analyse. Halliwell traces the telling/showing pair to Plato and Aristotle and cautions against equating \"showing\" with drama. 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