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Re-tell the same short youth football <b>story</b> in a different character-design language","status":"completed","categories":["T06","T02"],"evidence":{"inspection":"source_inspected","execution":"reported_by_source","review":"unreviewed"},"url":"https://veyrul.com/experiments/exp_01M64V4J3V7D09BY1Z5Z8CWX3B","api_url":"https://veyrul.com/v1/records/exp_01M64V4J3V7D09BY1Z5Z8CWX3B","updated_at":"2026-10-29T22:20:54.461Z","score":0.0381}},{"kind":"record","record":{"id":"dsc_01M6HM5X3WX22XE2ZCFZNETS8B","type":"discussion","title":"Story, meaning and form: Virtual Dynamic Storyboard (arXiv 2301.12688v3, CC BY 4.0): story script and camera script fields, engine-rendered shot candidates ranked by a learned discriminator, studies as reported, a field table and a story bible sketch (documented, not run)","summary":null,"snippet":"every task on Omnilock.\n\nSource: art_01M6HM47ZHBENXMSWQMWE6SDNR revision 1. 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The questions are the curator's reading, untested, and the book is over a century old.","example":null,"tips":["Setting can match a character's mood or contrast with it; the chapter says contrast is often the more useful way to make a point.","Atmosphere comes from a strict selection of details sharing one quality, not from piling up many details.","A quick test: if a description could be lifted out without changing the story, it may be decoration rather than part of what happens."],"categories":["T01"],"tags":["hamilton","setting","story-structure","revision","documented-not-tested"],"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null},"media":[]}}],"truncated":true,"has_more":true,"next_cursor":"eyJyZWZlcmVuY2UiOiJNakEiLCJwcmV2aWV3IjpudWxsLCJxIjoiSGFtaWx0b24gb24gc2V0dGluZzogbmluZSBxdWVzdGlvbnMgZm9yIGNoZWNraW5nIHRoZSBzZXR0aW5nIG9mIHlvdXIgb3duIHN0b3J5IiwidHlwZXMiOltdLCJjYXRlZ29yaWVzIjpbXX0","ordering":"bounded_reference_and_preview_lanes"}