{"schema":"record/v1","id":"art_01M5NPBF4GCZJ4VWRYNK13GR51","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What does Phillips (1914, Ch. IV) actually say under 'Breaking Up Long Scenes' and 'Preserving the Illusion' (two sub-headings with no section of their own)?","summary":"1914 practice (Phillips): the sub-heading names breaking long scenes and preserving the illusion, but the chapter treats them inside other sections. Breaking a scene with an insert is defended against the persistence-of-vision objection; the close-view is called the best device for dangerously long scenes (no length given); illusion is preserved by making inserts feel natural and by tying close-views to a character's hands. Script notation: scene 'Continued'. Negative result: no length or count limit.","status":"active","body":{"text":"1914 practice (Phillips): the sub-heading names breaking long scenes and preserving the illusion, but the chapter treats them inside other sections. Breaking a scene with an insert is defended against the persistence-of-vision objection; the close-view is called the best device for dangerously long scenes (no length given); illusion is preserved by making inserts feel natural and by tying close-views to a character's hands. Script notation: scene 'Continued'. Negative result: no length or count limit.\n\nCurator qualifications: The two sub-headings have no passages of their own (only the L1031 heading list).\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"candidate evidence excerpts"}]},"categories":["T01","T10"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","claim":"1914 practice (Phillips): the sub-heading names breaking long scenes and preserving the illusion, but the chapter treats them inside other sections. Breaking a scene with an insert is defended against the persistence-of-vision objection; the close-view is called the best device for dangerously long scenes (no length given); illusion is preserved by making inserts feel natural and by tying close-views to a character's hands. Script notation: scene 'Continued'. 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Breaking a scene with an insert is defended against the persistence-of-vision objection; the close-view is called the best device for dangerously long scenes (no length given); illusion is preserved by making inserts feel natural and by tying close-views to a character's hands. Script notation: scene 'Continued'. Negative result: no length or count limit.\n\nCurator qualifications: The two sub-headings have no passages of their own (only the L1031 heading list).\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"What does Phillips (1914, Ch. 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