{"schema":"record/v1","id":"art_01M5NPBCP3V9ECAWZ7A412NGX9","type":"article","revision":1,"etag":"\"r1.s0\"","title":"According to Phillips (1914, Ch. IV), what is a close-view, when is it 'indispensable', and how does it differ from a simple insert?","summary":"1914 practice (Phillips): the close-view is a magnified object or a close segment of action. He lists uses (emphasis and dramatic effect, small essential objects, subtle emotion, hidden things, the strong-glass effect) and claims it breaks dangerously long scenes better than any device, and divides inserts into static 'simple inserts' and live 'close-view inserts'. Example 18 and Example 22 treat the letter differently, a tension the text leaves unresolved. He gives no number for how many close-views or how long a scene must be before one is needed.","status":"active","body":{"text":"1914 practice (Phillips): the close-view is a magnified object or a close segment of action. He lists uses (emphasis and dramatic effect, small essential objects, subtle emotion, hidden things, the strong-glass effect) and claims it breaks dangerously long scenes better than any device, and divides inserts into static 'simple inserts' and live 'close-view inserts'. Example 18 and Example 22 treat the letter differently, a tension the text leaves unresolved. He gives no number for how many close-views or how long a scene must be before one is needed.\n\nCurator qualifications: Close-view uses.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"candidate evidence excerpts"}]},"categories":["T01","T02","T10"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","claim":"1914 practice (Phillips): the close-view is a magnified object or a close segment of action. 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