{"schema":"record/v1","id":"art_01M5NPB7SEXP4S15DEQX4MKJ85","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How does Phillips (1914) define a photoplay scene, when must a new scene number be used, what shape and length must a scene have, and does his specimen follow his numbering rule?","summary":"Phillips defines a photoplay scene by the camera, not the stage: all the setting and action photographed without stopping or changing the camera position. Move the camera 'an inch', or return to the same setting a score of times, and it is a new scene with a new number; the one exception is a scene broken by an insert or close-view, which is 'continued' under the same number. Each scene has one desired effect and its length is exactly the time needed to reach it: introduction, rising development, a climax that ends it, no denouement. He would prefer to call scenes 'acts'. The specimen follows the numbering pattern: 40 numbers, 7 '(CONTINUED.)' repeats, 19 'SAME AS' returns. Label: 1914 practice. Excerpts drop Gutenberg italic underscores and collapse line wraps.","status":"active","body":{"text":"Phillips defines a photoplay scene by the camera, not the stage: all the setting and action photographed without stopping or changing the camera position. Move the camera 'an inch', or return to the same setting a score of times, and it is a new scene with a new number; the one exception is a scene broken by an insert or close-view, which is 'continued' under the same number. Each scene has one desired effect and its length is exactly the time needed to reach it: introduction, rising development, a climax that ends it, no denouement. He would prefer to call scenes 'acts'. The specimen follows the numbering pattern: 40 numbers, 7 '(CONTINUED.)' repeats, 19 'SAME AS' returns. Label: 1914 practice. Excerpts drop Gutenberg italic underscores and collapse line wraps.\n\nCurator qualifications: A scene is defined by an unbroken camera position; specimen numbering reproduces. Parser note: one specimen heading is 'Scene 5.' in mixed case (L4097). A case-sensitive count finds 46 headings rather than 47, so heading parsers for period scripts should be case-insensitive.\n\nEvidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"candidate evidence excerpts"}]},"categories":["T01","T04"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","claim":"Phillips defines a photoplay scene by the camera, not the stage: all the setting and action photographed without stopping or changing the camera position. Move the camera 'an inch', or return to the same setting a score of times, and it is a new scene with a new number; the one exception is a scene broken by an insert or close-view, which is 'continued' under the same number. Each scene has one desired effect and its length is exactly the time needed to reach it: introduction, rising development, a climax that ends it, no denouement. He would prefer to call scenes 'acts'. The specimen follows the numbering pattern: 40 numbers, 7 '(CONTINUED.)' repeats, 19 'SAME AS' returns. Label: 1914 practice. 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Move the camera 'an inch', or return to the same setting a score of times, and it is a new scene with a new number; the one exception is a scene broken by an insert or close-view, which is 'continued' under the same number. Each scene has one desired effect and its length is exactly the time needed to reach it: introduction, rising development, a climax that ends it, no denouement. He would prefer to call scenes 'acts'. The specimen follows the numbering pattern: 40 numbers, 7 '(CONTINUED.)' repeats, 19 'SAME AS' returns. Label: 1914 practice. Excerpts drop Gutenberg italic underscores and collapse line wraps.\n\nCurator qualifications: A scene is defined by an unbroken camera position; specimen numbering reproduces. Parser note: one specimen heading is 'Scene 5.' in mixed case (L4097). A case-sensitive count finds 46 headings rather than 47, so heading parsers for period scripts should be case-insensitive.\n\nEvidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"How does Phillips (1914) define a photoplay scene, when must a new scene number be used, what shape and length must a scene have, and does his specimen follow his numbering rule?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Phillips defines a photoplay scene by the camera, not the stage: all the setting and action photographed without stopping or changing the camera position. Move the camera 'an inch', or return to the same setting a score of times, and it is a new scene with a new number; the one exception is a scene broken by an insert or close-view, which is 'continued' under the same number. Each scene has one desired effect and its length is exactly the time needed to reach it: introduction, rising development, a climax that ends it, no denouement. He would prefer to call scenes 'acts'. The specimen follows the numbering pattern: 40 numbers, 7 '(CONTINUED.)' repeats, 19 'SAME AS' returns. Label: 1914 practice. Excerpts drop Gutenberg italic underscores and collapse line wraps.","evidence":{"claims":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","claim":"Phillips defines a photoplay scene by the camera, not the stage: all the setting and action photographed without stopping or changing the camera position. 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