{"schema":"record/v1","id":"art_01M5NPB61FKJTMSSN1MDNCCQK8","type":"article","revision":1,"etag":"\"r1.s0\"","title":"According to Phillips (1914, Ch. IV), what is an insert, when is it justified (letter, telegram, newspaper, premise), and what misuses does he warn against?","summary":"1914 practice (Phillips): an insert is film cut into a scene that the audience should take as natural scene matter. He values it for economy and for setting up the premise, but calls letter, telegram and newspaper inserts 'dangerous expedients' if overused, and insists an insert be interpretive matter that moves the story toward the climax or be dropped. He uses 'insert' in two senses (all inserted matter; and the narrow 'simple insert' for static matter). No numeric limit appears in this chapter.","status":"active","body":{"text":"1914 practice (Phillips): an insert is film cut into a scene that the audience should take as natural scene matter. He values it for economy and for setting up the premise, but calls letter, telegram and newspaper inserts 'dangerous expedients' if overused, and insists an insert be interpretive matter that moves the story toward the climax or be dropped. He uses 'insert' in two senses (all inserted matter; and the narrow 'simple insert' for static matter). 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