{"schema":"record/v1","id":"art_01M5NNSTX71X8WT0Q94RD6SZ9C","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What capture-stage production conditions did a practice-based study find helpful for getting cartoon-style (principle-driven) movement out of motion-capture performers?","summary":"Mohr (QUT, 2019) proposes four production conditions from four practice cycles: an 'animation performer' with movement training and animation knowledge; curated animated reference sent ahead and shown during capture; an optional pre-production capture of movement stylisations on a work-in-progress character; and gestural warm-ups with scaffolded actions. Supporting practices reported as helpful: overt movement, energetic actions first, goal-driven actions, a live projector view, and aesthetic movement rules per style. The thesis states the conditions have not yet been applied to a full production and that post-capture editing was not examined.","status":"active","body":{"text":"Mohr (QUT, 2019) proposes four production conditions from four practice cycles: an 'animation performer' with movement training and animation knowledge; curated animated reference sent ahead and shown during capture; an optional pre-production capture of movement stylisations on a work-in-progress character; and gestural warm-ups with scaffolded actions. Supporting practices reported as helpful: overt movement, energetic actions first, goal-driven actions, a live projector view, and aesthetic movement rules per style. 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