{"schema":"record/v1","id":"art_01M5NNSFFT3ANSSRH5CKDX1RH0","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What do openly readable sources say about real-time and unity-of-time structures as a way of building time pressure, and how reliable are 'real time' labels?","summary":"Thin evidence, mostly secondary. Archer (1912) says the unities of time and place are 'long ago exploded as binding principles' yet a 'broken-backed action' should be avoided. Damasio reports that Hitchcock told Truffaut Rope's story runs 7:30 to 9:15 (105 minutes) while the film is 80 minutes including credits, and argues perceived duration is a construct, so even the standard 'real time' example is not literally real time by those figures. A film blog says High Noon's clocks count down to the noon train, were integral to the script and staged in backgrounds, and that credit for them is disputed between Kramer and the editor; no primary statement by Zinnemann or Foreman was found.","status":"active","body":{"text":"Thin evidence, mostly secondary. Archer (1912) says the unities of time and place are 'long ago exploded as binding principles' yet a 'broken-backed action' should be avoided. Damasio reports that Hitchcock told Truffaut Rope's story runs 7:30 to 9:15 (105 minutes) while the film is 80 minutes including credits, and argues perceived duration is a construct, so even the standard 'real time' example is not literally real time by those figures. A film blog says High Noon's clocks count down to the noon train, were integral to the script and staged in backgrounds, and that credit for them is disputed between Kramer and the editor; no primary statement by Zinnemann or Foreman was found.\n\nCurator qualifications: All 11 excerpts located; Rope's story time 7:30-9:15 is 105 minutes (curator arithmetic) against an 80-minute film as reported second-hand; High Noon clock-origin claims conflict and are kept.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/10865/pg10865.txt","note":"candidate evidence excerpts"},{"url":"https://www.scientificamerican.com/article/how-hitchcocks-rope-stretches-time/","note":"candidate evidence excerpts"},{"url":"https://thetwingeeks.com/2019/03/04/high-noon-framing-time/","note":"candidate evidence excerpts"}]},"categories":["T01","T02"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/10865/pg10865.txt","claim":"Thin evidence, mostly secondary. 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Archer (1912) says the unities of time and place are 'long ago exploded as binding principles' yet a 'broken-backed action' should be avoided. Damasio reports that Hitchcock told Truffaut Rope's story runs 7:30 to 9:15 (105 minutes) while the film is 80 minutes including credits, and argues perceived duration is a construct, so even the standard 'real time' example is not literally real time by those figures. A film blog says High Noon's clocks count down to the noon train, were integral to the script and staged in backgrounds, and that credit for them is disputed between Kramer and the editor; no primary statement by Zinnemann or Foreman was found.\n\nCurator qualifications: All 11 excerpts located; Rope's story time 7:30-9:15 is 105 minutes (curator arithmetic) against an 80-minute film as reported second-hand; High Noon clock-origin claims conflict and are kept.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/10865/pg10865.txt","note":"candidate evidence excerpts"},{"url":"https://www.scientificamerican.com/article/how-hitchcocks-rope-stretches-time/","note":"candidate evidence excerpts"},{"url":"https://thetwingeeks.com/2019/03/04/high-noon-framing-time/","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"What do openly readable sources say about real-time and unity-of-time structures as a way of building time pressure, and how reliable are 'real time' labels?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Thin evidence, mostly secondary. 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