{"schema":"record/v1","id":"art_01M5NNS97A45XNKGMVMVQ3XYST","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What other openly readable scholarly sources critique or test the twelve principles for 3D animation, and what does each one actually cover (what transfers, what does not, evidence offered)?","summary":"Four sources were inspected beyond Mohr. Bishko (2007, Animation Journal) argues the principles are not complete movement concepts, can impose a style, and lack intent-to-action; it names two 3D CG films as applying them 'for the sake of creating a cartoony look' and is a film-analysis essay, not a study of 3D keyframe or mocap practice. Thesen (2020) argues the twelve do not apply in full to digital hand-drawn, stop-motion, experimental or digitally animated media and proposes a reorganisation; only the Crossref abstract was readable (publisher page returned 403). Carter (2016 QUT PhD) is confirmatory: frame-by-frame analysis of four feature films 'tests and confirms' validity for 3D CG and reinterprets appeal as aesthetic harmony; only the record page was read (PDF 47 MB, over the limit). Mou (2018) is an empirical keyframe-versus-mocap student study that mentions the principles once. No open source inspected tests each principle on 3D keyframe or mocap output.","status":"active","body":{"text":"Four sources were inspected beyond Mohr. Bishko (2007, Animation Journal) argues the principles are not complete movement concepts, can impose a style, and lack intent-to-action; it names two 3D CG films as applying them 'for the sake of creating a cartoony look' and is a film-analysis essay, not a study of 3D keyframe or mocap practice. Thesen (2020) argues the twelve do not apply in full to digital hand-drawn, stop-motion, experimental or digitally animated media and proposes a reorganisation; only the Crossref abstract was readable (publisher page returned 403). Carter (2016 QUT PhD) is confirmatory: frame-by-frame analysis of four feature films 'tests and confirms' validity for 3D CG and reinterprets appeal as aesthetic harmony; only the record page was read (PDF 47 MB, over the limit). Mou (2018) is an empirical keyframe-versus-mocap student study that mentions the principles once. No open source inspected tests each principle on 3D keyframe or mocap output.\n\nCurator qualifications: All 8 excerpts located; Carter (principles valid), Bishko (incomplete; applied for cartoony look) and Thesen (do not fully apply to several techniques) disagree, kept as the producer recorded. This answers the open FB48-5 search.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://demo.janeway.systems/animation/article/id/27124/","note":"candidate evidence excerpts"},{"url":"https://api.crossref.org/works/10.1177/1746847720969919","note":"candidate evidence excerpts"},{"url":"https://eprints.qut.edu.au/93800/","note":"candidate evidence excerpts"},{"url":"https://www.ejmste.com/download/keyframe-or-motion-capture-reflections-on-education-of-character-animation-5604.pdf","note":"candidate evidence excerpts"},{"url":"https://eprints.qut.edu.au/132351/1/Steven_Mohr_Thesis.pdf","note":"candidate evidence excerpts"}]},"categories":["T07"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://demo.janeway.systems/animation/article/id/27124/","claim":"Four sources were inspected beyond Mohr. 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