{"schema":"record/v1","id":"art_01M5NN8K6VJ1E46NVWYAKAZBV6","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What do the sources say about the goro-goro (gara-gara) clown scene in wayang kulit: where it sits, what it contains, whether it is mandatory, and what does that teach about comic interludes in long-form pacing?","summary":"In Surakarta-style accounts gara-gara is a pathet sanga scene with the punakawan clown-servants (Petruk, Gareng, Bagong; Semar appears in other accounts) filled with songs and jokes, after which the clowns accompany the knight. A pattern source cited by two articles says it is not a standardised scene in Surakarta (unlike Yogyakarta) and is presented if the play is short or a great knight is meditating in the forest; Krystiadi's list marks it 'if needed'. Yogyakarta gara-gara is described as seemingly detached from the story. So the widely repeated 'clown scene at midnight' is a pattern in some styles, optional in Surakarta pakem, and sources disagree on whether it is an integral story scene.","status":"active","body":{"text":"In Surakarta-style accounts gara-gara is a pathet sanga scene with the punakawan clown-servants (Petruk, Gareng, Bagong; Semar appears in other accounts) filled with songs and jokes, after which the clowns accompany the knight. A pattern source cited by two articles says it is not a standardised scene in Surakarta (unlike Yogyakarta) and is presented if the play is short or a great knight is meditating in the forest; Krystiadi's list marks it 'if needed'. Yogyakarta gara-gara is described as seemingly detached from the story. So the widely repeated 'clown scene at midnight' is a pattern in some styles, optional in Surakarta pakem, and sources disagree on whether it is an integral story scene.\n\nCurator qualifications: tools/c3excerpts.py: 5 of 5 non-empty excerpts found verbatim across the 11 readbacks. 'goro-goro'/'gara-gara' counts: S5 1, S6 9, S7 7, S8 1, S9 5; 0 in S10 and S11.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://jurnal.isi-ska.ac.id/index.php/lakon/article/download/3152/2626","note":"see curator disposition"},{"url":"https://journal.isi.ac.id/index.php/wayang/article/download/11316/4381","note":"see curator disposition"},{"url":"https://journal.isi.ac.id/index.php/wayang/article/download/12419/4385","note":"see curator disposition"},{"url":"https://iiste.org/Journals/index.php/JLLL/article/viewFile/60373/62318","note":"see curator disposition"},{"url":"https://journal.isi.ac.id/index.php/DTR/article/download/3163/1393","note":"see curator disposition"},{"url":"https://lsa.umich.edu/content/dam/cseas-assets/cseas-documents/gamelan/ShadowPuppetTheatre.pdf","note":"see curator disposition"}]},"categories":["T01","T07"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://jurnal.isi-ska.ac.id/index.php/lakon/article/download/3152/2626","claim":"In Surakarta-style accounts gara-gara is a pathet sanga scene with the punakawan clown-servants (Petruk, Gareng, Bagong; Semar appears in other accounts) filled with songs and jokes, after which the clowns accompany the knight. A pattern source cited by two articles says it is not a standardised scene in Surakarta (unlike Yogyakarta) and is presented if the play is short or a great knight is meditating in the forest; Krystiadi's list marks it 'if needed'. Yogyakarta gara-gara is described as seemingly detached from the story. 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A pattern source cited by two articles says it is not a standardised scene in Surakarta (unlike Yogyakarta) and is presented if the play is short or a great knight is meditating in the forest; Krystiadi's list marks it 'if needed'. Yogyakarta gara-gara is described as seemingly detached from the story. So the widely repeated 'clown scene at midnight' is a pattern in some styles, optional in Surakarta pakem, and sources disagree on whether it is an integral story scene.\n\nCurator qualifications: tools/c3excerpts.py: 5 of 5 non-empty excerpts found verbatim across the 11 readbacks. 'goro-goro'/'gara-gara' counts: S5 1, S6 9, S7 7, S8 1, S9 5; 0 in S10 and S11.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://jurnal.isi-ska.ac.id/index.php/lakon/article/download/3152/2626","note":"see curator disposition"},{"url":"https://journal.isi.ac.id/index.php/wayang/article/download/11316/4381","note":"see curator disposition"},{"url":"https://journal.isi.ac.id/index.php/wayang/article/download/12419/4385","note":"see curator disposition"},{"url":"https://iiste.org/Journals/index.php/JLLL/article/viewFile/60373/62318","note":"see curator disposition"},{"url":"https://journal.isi.ac.id/index.php/DTR/article/download/3163/1393","note":"see curator disposition"},{"url":"https://lsa.umich.edu/content/dam/cseas-assets/cseas-documents/gamelan/ShadowPuppetTheatre.pdf","note":"see curator disposition"}]},"tags":[],"type":"article","links":[],"title":"What do the sources say about the goro-goro (gara-gara) clown scene in wayang kulit: where it sits, what it contains, whether it is mandatory, and what does that teach about comic interludes in long-form pacing?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"In Surakarta-style accounts gara-gara is a pathet sanga scene with the punakawan clown-servants (Petruk, Gareng, Bagong; Semar appears in other accounts) filled with songs and jokes, after which the clowns accompany the knight. A pattern source cited by two articles says it is not a standardised scene in Surakarta (unlike Yogyakarta) and is presented if the play is short or a great knight is meditating in the forest; Krystiadi's list marks it 'if needed'. Yogyakarta gara-gara is described as seemingly detached from the story. So the widely repeated 'clown scene at midnight' is a pattern in some styles, optional in Surakarta pakem, and sources disagree on whether it is an integral story scene.","evidence":{"claims":[{"url":"https://jurnal.isi-ska.ac.id/index.php/lakon/article/download/3152/2626","claim":"In Surakarta-style accounts gara-gara is a pathet sanga scene with the punakawan clown-servants (Petruk, Gareng, Bagong; Semar appears in other accounts) filled with songs and jokes, after which the clowns accompany the knight. A pattern source cited by two articles says it is not a standardised scene in Surakarta (unlike Yogyakarta) and is presented if the play is short or a great knight is meditating in the forest; Krystiadi's list marks it 'if needed'. Yogyakarta gara-gara is described as seemingly detached from the story. So the widely repeated 'clown scene at midnight' is a pattern in some styles, optional in Surakarta pakem, and sources disagree on whether it is an integral story scene.","locator":"see curator disposition","classification":"sourced_fact"}],"review":"unreviewed","execution":"not_run","inspection":"source_inspected","execution_record_ids":[]},"language":"en","categories":["T01","T07"],"extensions":{"curation/v1":{"curator":"CURATOR-A-20261021","revision":1,"topic_ids":["CAT:T01.01","CAT:T01.01.a","CAT:T01.01.c","CAT:T01.06"],"confidence":"Not stated; see limitations.","limitations":["Source pin hashes are native catalogue descriptor hashes, not upstream byte hashes. 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