{"schema":"record/v1","id":"art_01M5NN8ANT6TC0PQSTTMZ49CJB","type":"article","revision":1,"etag":"\"r1.s0\"","title":"Does a play need conflict, and what does Archer propose instead as an outline test (crisis, minor crises, first-act exciting moment, obligatory scene)?","summary":"Archer (Play-Making, 1912) quotes Brunetiere's formula of drama as will meeting obstacles and calls it a description of many plays but not a universal differentia: it is 'clearly an error to make conflict indispensable to drama'. He offers 'crisis' as the essence: a play is a rapidly developing crisis whose scenes are crises within the crisis, built from a series of minor crises, each act carrying a subordinate crisis. He adds usable tests: place Freytag's exciting moment in the first act, foreshadow without forestalling, identify obligatory scenes (five types), separate chance from coincidence, and allow a deliberate unemphatic ending. He treats Freytag's act-by-act functions as more historical than practical.","status":"active","body":{"text":"Archer (Play-Making, 1912) quotes Brunetiere's formula of drama as will meeting obstacles and calls it a description of many plays but not a universal differentia: it is 'clearly an error to make conflict indispensable to drama'. He offers 'crisis' as the essence: a play is a rapidly developing crisis whose scenes are crises within the crisis, built from a series of minor crises, each act carrying a subordinate crisis. He adds usable tests: place Freytag's exciting moment in the first act, foreshadow without forestalling, identify obligatory scenes (five types), separate chance from coincidence, and allow a deliberate unemphatic ending. He treats Freytag's act-by-act functions as more historical than practical.\n\nCurator qualifications: 'it is clearly an error to make conflict indispensable to drama'; 'Perhaps we shall scarcely come nearer to a helpful definition than if we say that the essence of drama is _crisis_'; erregende Moment 'ought by all means to fall within the first act'; 'chance and coincidence are by no means the same thing'. Curator full count of 'law of conflict': 0.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/10865/pg10865.txt","note":"Gutenberg 10865 (Archer, Play-Making 1912)"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/10865/pg10865.txt","claim":"Archer (Play-Making, 1912) quotes Brunetiere's formula of drama as will meeting obstacles and calls it a description of many plays but not a universal differentia: it is 'clearly an error to make conflict indispensable to drama'. 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Curator full count of 'law of conflict': 0.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/10865/pg10865.txt","note":"Gutenberg 10865 (Archer, Play-Making 1912)"}]},"tags":[],"type":"article","links":[],"title":"Does a play need conflict, and what does Archer propose instead as an outline test (crisis, minor crises, first-act exciting moment, obligatory scene)?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Archer (Play-Making, 1912) quotes Brunetiere's formula of drama as will meeting obstacles and calls it a description of many plays but not a universal differentia: it is 'clearly an error to make conflict indispensable to drama'. 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