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Neither interview gives exposure values, ratios or meter readings, so these are statements of approach, not technical guidance (negative result on numbers).\n\nCurator qualifications: Interviews read 2026-10-22; testimony; no lighting measured. Cinematographer and the named predecessors referred to by role.\n\nLimitations: Interviews read 2026-10-22; testimony; no lighting measured.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://blavity.com/color-light-and-depth-the-visual-aesthetic-of-pariah-an-interview-w-cinematographer-bradford-young","note":"2011 interview (blavity.com) answer beginning \"Let me first start off\"; 2015 Q&A (grantland.com), answer on darkness in a period crime film; curator regex over both pages"},{"url":"https://grantland.com/hollywood-prospectus/qa-selma-dp-bradford-young-on-the-lbj-controversy-being-a-black-cinematographer-and-a-most-violent-year/","note":"2011 interview (blavity.com) answer beginning \"Let me first start off\"; 2015 Q&A (grantland.com), answer on darkness in a period crime film; curator regex over both pages"}]},"categories":["T02"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://blavity.com/color-light-and-depth-the-visual-aesthetic-of-pariah-an-interview-w-cinematographer-bradford-young","claim":"In two interviews a cinematographer frames lighting dark skin as an inherited practice learned from earlier Black cinematographers and filmmakers and, for one film, says he cared more about lighting space than faces. 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