{"schema":"record/v1","id":"art_01M5NJ04AEQ4EX5SWX2AR4PTMC","type":"article","revision":1,"etag":"\"r1.s0\"","title":"I must voice a cue and do not know the playable range or notation of an orchestral instrument: what do the public-domain treatises give me, and what do the digitised texts fail to give me?","summary":"Partially verified: the curator re-read none of the cited sources; S2, S1 rest on the producer's pinned reading. Forsyth (1914) opens with a reference list of every orchestral instrument's compass in actual sounding pitch plus a 'square note' that shows transposition, and then gives per-instrument written ranges in the body; Berlioz (Clarke/Bennett English text) states compasses per instrument in prose and music examples. In the OCR text that an agent can fetch, the staff-notation compasses are lost, so only compasses stated in words survive; the ranges themselves must be read from the page scans or another machine-readable source. Both treatises treat range as one input to character and balance, not as the whole answer.","status":"active","body":{"text":"Partially verified: the curator re-read none of the cited sources; S2, S1 rest on the producer's pinned reading.\n\nForsyth (1914) opens with a reference list of every orchestral instrument's compass in actual sounding pitch plus a 'square note' that shows transposition, and then gives per-instrument written ranges in the body; Berlioz (Clarke/Bennett English text) states compasses per instrument in prose and music examples. In the OCR text that an agent can fetch, the staff-notation compasses are lost, so only compasses stated in words survive; the ranges themselves must be read from the page scans or another machine-readable source. Both treatises treat range as one input to character and balance, not as the whole answer.\n\nCurator qualifications: Partially verified: the curator re-read none of the cited sources; S2, S1 rest on the producer's pinned reading. Curator GET 2026-10-23 of the sources not re-read (mechanical source evidence, not semantic verification): S2: HTTP 200, bytes differ from the producer pin; S1: HTTP 200, bytes differ from the producer pin.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/details/cu31924022381440","note":"candidate evidence excerpts"},{"url":"https://archive.org/details/treatiseonmodern1900berl","note":"candidate evidence excerpts"}]},"categories":["T14"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"metadata_checked","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/details/cu31924022381440","claim":"Forsyth (1914) opens with a reference list of every orchestral instrument's compass in actual sounding pitch plus a 'square note' that shows transposition, and then gives per-instrument written ranges in the body; Berlioz (Clarke/Bennett English text) states compasses per instrument in prose and music examples. 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Curator GET 2026-10-23 of the sources not re-read (mechanical source evidence, not semantic verification): S2: HTTP 200, bytes differ from the producer pin; S1: HTTP 200, bytes differ from the producer pin.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/details/cu31924022381440","note":"candidate evidence excerpts"},{"url":"https://archive.org/details/treatiseonmodern1900berl","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"I must voice a cue and do not know the playable range or notation of an orchestral instrument: what do the public-domain treatises give me, and what do the digitised texts fail to give me?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Partially verified: the curator re-read none of the cited sources; S2, S1 rest on the producer's pinned reading. 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