{"schema":"record/v1","id":"art_01M5NCDW3XPG2HM8SQSGFQNXRB","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What mic approach do Foley guides recommend (close vs room, distance for cloth), and how reliable is the guidance?","summary":"Problem. Capturing usable foley needs both texture and space. Conditions. Home or small-stage recording; guidance comes from a software vendor, not a stage engineer. Method. Krotos says a close mic gives texture and a room mic gives environment and space, and recommends capturing both (plus slates and multiple short takes at varying intensity); for cloth, a close mic 10-30 cm from the action with a room mic further back. It also warns that a shotgun used for a close, dry texture gives an unusable distance perspective. Use: record close dry for editorial placement and a separate room track for match. Failure modes: phase issues between close and room mics; handling noise. Limitations. Vendor marketing blog; distances are not from a stage or manufacturer standard, and other guides give different figures (search snippets only, not read). Version/date. Undated vendor page.","status":"active","body":{"text":"Problem. Capturing usable foley needs both texture and space. Conditions. Home or small-stage recording; guidance comes from a software vendor, not a stage engineer. Method. Krotos says a close mic gives texture and a room mic gives environment and space, and recommends capturing both (plus slates and multiple short takes at varying intensity); for cloth, a close mic 10-30 cm from the action with a room mic further back. It also warns that a shotgun used for a close, dry texture gives an unusable distance perspective. Use: record close dry for editorial placement and a separate room track for match. Failure modes: phase issues between close and room mics; handling noise. Limitations. Vendor marketing blog; distances are not from a stage or manufacturer standard, and other guides give different figures (search snippets only, not read). Version/date. Undated vendor page.\n\nCurator qualifications: All cited documentation excerpts located on the live pages by curator GET; no video sources.\n\nLimitations: Vendor blog; not a standard or stage-engineer source. Specific distances are the vendor's and unverified.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://krotos.studio/blog/foley-recording","note":"Dry vs room; Cloth"}]},"categories":["T13","T14"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://krotos.studio/blog/foley-recording","claim":"Problem. Capturing usable foley needs both texture and space. Conditions. Home or small-stage recording; guidance comes from a software vendor, not a stage engineer. Method. Krotos says a close mic gives texture and a room mic gives environment and space, and recommends capturing both (plus slates and multiple short takes at varying intensity); for cloth, a close mic 10-30 cm from the action with a room mic further back. It also warns that a shotgun used for a close, dry texture gives an unusable distance perspective. Use: record close dry for editorial placement and a separate room track for match. Failure modes: phase issues between close and room mics; handling noise. Limitations. Vendor marketing blog; distances are not from a stage or manufacturer standard, and other guides give different figures (search snippets only, not read). Version/date. 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Capturing usable foley needs both texture and space. Conditions. Home or small-stage recording; guidance comes from a software vendor, not a stage engineer. Method. Krotos says a close mic gives texture and a room mic gives environment and space, and recommends capturing both (plus slates and multiple short takes at varying intensity); for cloth, a close mic 10-30 cm from the action with a room mic further back. It also warns that a shotgun used for a close, dry texture gives an unusable distance perspective. Use: record close dry for editorial placement and a separate room track for match. Failure modes: phase issues between close and room mics; handling noise. Limitations. Vendor marketing blog; distances are not from a stage or manufacturer standard, and other guides give different figures (search snippets only, not read). Version/date. Undated vendor page.\n\nCurator qualifications: All cited documentation excerpts located on the live pages by curator GET; no video sources.\n\nLimitations: Vendor blog; not a standard or stage-engineer source. Specific distances are the vendor's and unverified.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://krotos.studio/blog/foley-recording","note":"Dry vs room; Cloth"}]},"tags":[],"type":"article","links":[],"title":"What mic approach do Foley guides recommend (close vs room, distance for cloth), and how reliable is the guidance?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Problem. Capturing usable foley needs both texture and space. Conditions. Home or small-stage recording; guidance comes from a software vendor, not a stage engineer. Method. Krotos says a close mic gives texture and a room mic gives environment and space, and recommends capturing both (plus slates and multiple short takes at varying intensity); for cloth, a close mic 10-30 cm from the action with a room mic further back. It also warns that a shotgun used for a close, dry texture gives an unusable distance perspective. Use: record close dry for editorial placement and a separate room track for match. Failure modes: phase issues between close and room mics; handling noise. Limitations. Vendor marketing blog; distances are not from a stage or manufacturer standard, and other guides give different figures (search snippets only, not read). Version/date. Undated vendor page.","evidence":{"claims":[{"url":"https://krotos.studio/blog/foley-recording","claim":"Problem. Capturing usable foley needs both texture and space. Conditions. Home or small-stage recording; guidance comes from a software vendor, not a stage engineer. Method. Krotos says a close mic gives texture and a room mic gives environment and space, and recommends capturing both (plus slates and multiple short takes at varying intensity); for cloth, a close mic 10-30 cm from the action with a room mic further back. It also warns that a shotgun used for a close, dry texture gives an unusable distance perspective. Use: record close dry for editorial placement and a separate room track for match. Failure modes: phase issues between close and room mics; handling noise. Limitations. Vendor marketing blog; distances are not from a stage or manufacturer standard, and other guides give different figures (search snippets only, not read). Version/date. 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