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He gives five jobs (emphasise an unnoticed act; show what is too small; show a minute act; cut away so a trick can be handled; break tension and plant an object) and rules: return to the larger scene after it, use sparingly, write inanimate objects as inserts and any action as a bust. He admits studios blur bust, close-up and insert. Footage hint: some busts last two or three seconds.\n\nCurator qualifications: Footage and bust rules are verified as Sargent's text. The foot-equals-second conversion follows from his 16 frames a second and 16 frames to the foot (curator check). Arithmetic rows are worker code (work/build.py), not run by the curator.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. 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He gives five jobs (emphasise an unnoticed act; show what is too small; show a minute act; cut away so a trick can be handled; break tension and plant an object) and rules: return to the larger scene after it, use sparingly, write inanimate objects as inserts and any action as a bust. He admits studios blur bust, close-up and insert. Footage hint: some busts last two or three seconds.\n\nCurator qualifications: Footage and bust rules are verified as Sargent's text. The foot-equals-second conversion follows from his 16 frames a second and 16 frames to the foot (curator check). Arithmetic rows are worker code (work/build.py), not run by the curator.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. 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