{"schema":"record/v1","id":"art_01M5MYYQWBKDYXABHHBBYJG197","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What is a 'vision' in Sargent's 1916 photoplay manual, what is it for, and why does he treat it as a last resort rather than a first choice?","summary":"1916 practice (Sargent, Ch. XLI): a vision is a scene shown on screen to recall or explain an earlier action, or to picture what a person present is thinking, including a dream of the future. He treats it as a fallback: the ideal play runs in time order and needs neither visions nor leaders; if going back cannot be avoided, a vision beats an explanatory leader because it is action, and the vision inside the frame is the least intrusive form. He calls the vision 'most sadly abused' because it is easier to insert one than to rewrite and plant a forgotten fact; too many make the viewer sort facts instead of following the story. These are his assertions, with no audience test.","status":"active","body":{"text":"1916 practice (Sargent, Ch. XLI): a vision is a scene shown on screen to recall or explain an earlier action, or to picture what a person present is thinking, including a dream of the future. He treats it as a fallback: the ideal play runs in time order and needs neither visions nor leaders; if going back cannot be avoided, a vision beats an explanatory leader because it is action, and the vision inside the frame is the least intrusive form. He calls the vision 'most sadly abused' because it is easier to insert one than to rewrite and plant a forgotten fact; too many make the viewer sort facts instead of following the story. These are his assertions, with no audience test.\n\nCurator qualifications: Visions (frame vs fade), fades, dissolves and apparitions are verified as Sargent's text. -05 is labelled practice plus proposal.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate"}]},"categories":["T01","T10"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"1916 practice (Sargent, Ch. 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XLI): a vision is a scene shown on screen to recall or explain an earlier action, or to picture what a person present is thinking, including a dream of the future. He treats it as a fallback: the ideal play runs in time order and needs neither visions nor leaders; if going back cannot be avoided, a vision beats an explanatory leader because it is action, and the vision inside the frame is the least intrusive form. He calls the vision 'most sadly abused' because it is easier to insert one than to rewrite and plant a forgotten fact; too many make the viewer sort facts instead of following the story. 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