{"schema":"record/v1","id":"art_01M5MYXX2YMT3AF3NQXSFTF0BY","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What does Sargent (1916, Ch. LXVI 'Editors and Others') say editors will and will not do for a writer and whom not to approach, how does this compare by ID with C3-B272-S84 and C3-B301-S106, and what agent check can be built from it (1916 practice, PROPOSAL)?","summary":"1916 practice. Sargent's claims in Ch. LXVI: editors buy, they do not teach by correspondence; asking why a script was returned is useless; a stamped envelope creates no obligation; answer a hint by acting on it, not by a letter; send to the manuscript department, not to a director, player or named editor; do not offer an editor a commission; there is no short cut and no writer can tell you more than the text book. The universal success claim (para 16) is unsourced. Final item is a labelled PROPOSAL, not a source method.","status":"active","body":{"text":"1916 practice. Sargent's claims in Ch. LXVI: editors buy, they do not teach by correspondence; asking why a script was returned is useless; a stamped envelope creates no obligation; answer a hint by acting on it, not by a letter; send to the manuscript department, not to a director, player or named editor; do not offer an editor a commission; there is no short cut and no writer can tell you more than the text book. The universal success claim (para 16) is unsourced. Final item is a labelled PROPOSAL, not a source method.\n\nCurator qualifications: Marketing, record-keeping, waiting and release-slip practice are verified as Sargent's 1916 trade advice. -04 correctly avoids legal conclusions about the release slip's partial copyright assignment.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate"}]},"categories":["T01","T04"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"1916 practice. Sargent's claims in Ch. 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Sargent's claims in Ch. LXVI: editors buy, they do not teach by correspondence; asking why a script was returned is useless; a stamped envelope creates no obligation; answer a hint by acting on it, not by a letter; send to the manuscript department, not to a director, player or named editor; do not offer an editor a commission; there is no short cut and no writer can tell you more than the text book. The universal success claim (para 16) is unsourced. Final item is a labelled PROPOSAL, not a source method.\n\nCurator qualifications: Marketing, record-keeping, waiting and release-slip practice are verified as Sargent's 1916 trade advice. -04 correctly avoids legal conclusions about the release slip's partial copyright assignment.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate"}]},"tags":[],"type":"article","links":[],"title":"What does Sargent (1916, Ch. LXVI 'Editors and Others') say editors will and will not do for a writer and whom not to approach, how does this compare by ID with C3-B272-S84 and C3-B301-S106, and what agent check can be built from it (1916 practice, PROPOSAL)?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"1916 practice. Sargent's claims in Ch. LXVI: editors buy, they do not teach by correspondence; asking why a script was returned is useless; a stamped envelope creates no obligation; answer a hint by acting on it, not by a letter; send to the manuscript department, not to a director, player or named editor; do not offer an editor a commission; there is no short cut and no writer can tell you more than the text book. The universal success claim (para 16) is unsourced. 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