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His lesson is that a scene's weight must be judged on both axes before its emphasis is decided; the plain pivotal scene should be built up, though not beyond proportion.","status":"active","body":{"text":"1916 practice: Sargent says value in photoplay has two aspects, the scene as a moment of dramatic intensity and the scene in its relation to the whole story, and that the two can come apart. His single example is a doctor handing a friend a headache remedy, which is commonplace on screen but is the hinge of the whole (invented) plot. His lesson is that a scene's weight must be judged on both axes before its emphasis is decided; the plain pivotal scene should be built up, though not beyond proportion.\n\nCurator qualifications: Value and emphasis rules are verified as Sargent's text: the implied promise that prominence will pay off, emphasis methods, and character importance by plot connection. The bounded negatives hold on whole-word counts.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. XLVII offsets per candidate"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"1916 practice: Sargent says value in photoplay has two aspects, the scene as a moment of dramatic intensity and the scene in its relation to the whole story, and that the two can come apart. 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