{"schema":"record/v1","id":"art_01M5MYXECPPZ0AWVT86ENT0S0M","type":"article","revision":2,"etag":"\"r2.s0\"","title":"Comparison of four period accounts by candidate ID, built from Sargent's pinned chapter and the other accounts' published candidate records (their texts were not re-read; wording is theirs). Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a...","summary":"Comparison of four period accounts by candidate ID, built from Sargent's pinned chapter and the other accounts' published candidate records (their texts were not re-read; wording is theirs). Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a young-audience concern, cold blood, avoiding the underworld, and local gates being harsher; differences in the body's name, how its role is described, tone toward it, and the test for acceptable crime; Sargent's unique points are board timing (first print before the cut negative) and the repentant-woman pattern; the 1919 list items (suicide, mischief, lynching, kidnapping) have no counterpart in his chapter. Differences in breadth are differences between authors, not evidence that practice changed.","status":"active","body":{"text":"Comparison of four period accounts by candidate ID, built from Sargent's pinned chapter and the other accounts' published candidate records (their texts were not re-read; wording is theirs). Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a young-audience concern, cold blood, avoiding the underworld, and local gates being harsher; differences in the body's name, how its role is described, tone toward it, and the test for acceptable crime; Sargent's unique points are board timing (first print before the cut negative) and the repentant-woman pattern; the 1919 list items (suicide, mischief, lynching, kidnapping) have no counterpart in his chapter. Differences in breadth are differences between authors, not evidence that practice changed.\n\nItem-by-item comparison (the producer's own fifteen verdicts, verbatim; inference built from Sargent's pinned chapter and the other accounts' published candidate records C3-B256-S71, C3-B242-S65 and C3-B258-S73, whose texts were not re-read; \"silence\" means silence in the records read; agreement is in direction only):\n- Item 1, body and name: Sargent calls it the National Board of Review, delegates of civic societies (People's Institute); Phillips and Esenwein and Leeds use the \"National Board of Censorship\" (C3-B256-S71-03; C3-B242-S65-03); Münsterberg names no board (C3-B258-S73-03). Difference in name and description; silence for Münsterberg. Sargent's book has 0 hits for \"National Board of Censorship\".\n- Item 2, force of the board: Sargent says its power comes only from submitting manufacturers and that unpassed films are stopped only through police in many cities; the 1919 account describes the board as inspecting and passing all films before release and refusing what it finds objectionable (C3-B242-S65-03 E1, E2). Possible conflict in emphasis between two trade authors; the records read do not settle it.\n- Item 3, tag or notice: Sargent says the tag reads \"passed\", with a history of \"approved\"; Phillips mentions a Board of Censorship notice at the end of a film (C3-B256-S71-03 E7). Partial agreement that a board notice appears on films; the 1919 and Münsterberg records are silent.\n- Item 4, young audiences: Sargent (young people), the 1919 account (children and undiscriminating adults, C3-B242-S65-03 E15) and Münsterberg (the young mind may suffer, C3-B258-S73-07 E7) all link the concern to young viewers; Phillips defines a censor by \"moral influence\" (C3-B256-S71-03 E6). Agreement in direction; Sargent adds a commercial reason (ultra-sensationalism reacting on makers) not in the other records.\n- Item 5, crime is conditional: Sargent (lesson that crime is punished), the 1919 account (essential to the story and moral-pointing, C3-B242-S65-04 E4, E6) and Münsterberg (moral atmosphere of the whole play, C3-B258-S73-03 E11) all make crime conditional. Agreement in direction; the tests differ (lesson-punishment; essential-not-the-purpose; atmosphere).\n- Item 6, suggestion versus depiction: Sargent (suggested may pass; cut-away) agrees in direction with Phillips's cut-away example (C3-B256-S71-02 E8) and the 1919 burglary item (show entry, not method, C3-B242-S65-04 E1). Difference on suicide: in the 1919 list even a suggestion is barred (C3-B242-S65-04 E17), while Sargent's chapter does not mention suicide (0 hits).\n- Item 7, passion versus cold blood: Sargent says a passion crime is more apt to pass; the 1919 list includes shooting in \"cold blood\" among crime items (C3-B242-S65-03 E6). Agreement in direction on cold blood; the passion distinction is not in the 1919 record read; Phillips and Münsterberg are silent on it in the records read.\n- Item 8, immorality and vice: Sargent bars lascivious and irreligious themes absolutely and describes a repentant-woman pattern; the 1919 account has \"vulgarity and suggestion\" (C3-B242-S65-03 E9) and no sex-depiction rule (C3-B242-S65-04); Phillips calls underworld plays immoral (C3-B256-S71-02 E13). Agreement in direction to avoid the lewd; the repentant-woman pattern has no counterpart in the records read.\n- Item 9, underworld, saloons and fights: Sargent advises avoiding them; Phillips calls underworld plays immoral (his classification, C3-B256-S71-02 E13); the 1919 burglary and weapons items are conditional (C3-B242-S65-04). Agreement in direction for the underworld; the 1919 treatment is more conditional.\n- Item 10, items only in the 1919 list: Sargent's chapter has 0 hits for suicid*, kidnap*, lynch* and mischief. His \"unwritten law\" (para 10, advice) has no stated referent; the 1919 list item is the board not recognising the so-called unwritten law as justification for killing (C3-B242-S65-03 E5). No match is claimed. Silence on the other items.\n- Item 11, local and police gates: Sargent (local or police censorships in some cities, less qualified) and the 1919 account (local boards carry the idea to extremes; police in many cities, C3-B242-S65-06 E3, E4) agree in direction that local gates exist and can be harsher. Phillips mentions local boards only in the glossary (C3-B256-S71-03 E6); Münsterberg reports producers' doubts about Federal censorship (C3-B258-S73-03 E4), which Sargent's chapter does not mention (0 hits for federal).\n- Item 12, writer advice and the director: Sargent warns that a director may carry an incident across the border and tells outside authors to write so safe that allowance does not arise; the 1919 account advises not giving the director the opportunity to adopt objectionable features (C3-B242-S65-04 E9). Close agreement. Münsterberg rejects the dramatized sermon (C3-B258-S73-03 E9), a different kind of claim (treatment, not safety).\n- Item 13, the moral: Sargent (a good moral is needed, not just claimed; lesson that crime is punished), Phillips (a moral ending is a must, C3-B256-S71-04 E1), the 1919 account (the incident must point a moral, C3-B242-S65-04 E6) and Münsterberg (appended punishment is not enough, C3-B258-S73-03 E5) all touch it. Agreement that a moral matters; they differ on whether late punishment suffices.\n- Item 14, tone toward the board: Sargent defends the national board (high ideals, passes much it does not approve of) and criticises local rulings; Phillips criticises the board's composition and hopes for a broader view (C3-B256-S71-03 E2, E4); the 1919 account criticises local boards (C3-B242-S65-06 E13). Difference between Sargent and Phillips; these are authors' attitudes, not facts about the board.\n- Item 15, timing of the ruling: only Sargent says the board rules on the first print before the cut negative goes to the printing room; the records read for the other three accounts do not state a timing for the national board (silence). The 1919 record does describe local cuts in a city (C3-B242-S65-06 E5), consistent with local action after release but not stated as timing.\n\nCurator qualifications: Sargent's description of censorship layers and his treatment advice (suggest rather than show; a crime serving a lesson) are verified as his report. The producer correctly labels them a trade author's account with no board text.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. 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Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a young-audience concern, cold blood, avoiding the underworld, and local gates being harsher; differences in the body's name, how its role is described, tone toward it, and the test for acceptable crime; Sargent's unique points are board timing (first print before the cut negative) and the repentant-woman pattern; the 1919 list items (suicide, mischief, lynching, kidnapping) have no counterpart in his chapter. Differences in breadth are differences between authors, not evidence that practice changed.","locator":"sar.flat (a3cff7eb) ch. 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Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a young-audience concern, cold blood, avoiding the underworld, and local gates being harsher; differences in the body's name, how its role is described, tone toward it, and the test for acceptable crime; Sargent's unique points are board timing (first print before the cut negative) and the repentant-woman pattern; the 1919 list items (suicide, mischief, lynching, kidnapping) have no counterpart in his chapter. Differences in breadth are differences between authors, not evidence that practice changed.\n\nCurator qualifications: Sargent's description of censorship layers and his treatment advice (suggest rather than show; a crime serving a lesson) are verified as his report. The producer correctly labels them a trade author's account with no board text.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. LXVII offsets per candidate"}]},"tags":[],"type":"article","links":[],"title":"Comparison of four period accounts by candidate ID, built from Sargent's pinned chapter and the other accounts' published candidate records (their texts were not re-read; wording is theirs). Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a...","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Comparison of four period accounts by candidate ID, built from Sargent's pinned chapter and the other accounts' published candidate records (their texts were not re-read; wording is theirs). Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a young-audience concern, cold blood, avoiding the underworld, and local gates being harsher; differences in the body's name, how its role is described, tone toward it, and the test for acceptable crime; Sargent's unique points are board timing (first print before the cut negative) and the repentant-woman pattern; the 1919 list items (suicide, mischief, lynching, kidnapping) have no counterpart in his chapter. Differences in breadth are differences between authors, not evidence that practice changed.","evidence":{"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"Comparison of four period accounts by candidate ID, built from Sargent's pinned chapter and the other accounts' published candidate records (their texts were not re-read; wording is theirs). Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a young-audience concern, cold blood, avoiding the underworld, and local gates being harsher; differences in the body's name, how its role is described, tone toward it, and the test for acceptable crime; Sargent's unique points are board timing (first print before the cut negative) and the repentant-woman pattern; the 1919 list items (suicide, mischief, lynching, kidnapping) have no counterpart in his chapter. Differences in breadth are differences between authors, not evidence that practice changed.","locator":"sar.flat (a3cff7eb) ch. 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LXVII offsets per candidate","source_id":"src:f97291a220b9cd782d59926f","version_id":"ver:8187dc512568d63ad84ecf59","observed_at":"2026-10-22T16:36:37.000Z","canonical_url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","version_sha256":"2d591ce1d013edded3a2fc6d1ee85e88f73bac5f5508698477ab8aaf7bf3b8ee"}],"candidate_id":"C3-B305-S109-06","claim_status":"source_fact","rights_basis":"Original curator/discovery summary with short quotations; public sources; source rights unchanged and not cleared for reuse of the source itself.","qualification":"shared_operator_desk_qa","supersedes_sha256":null}},"visibility":"public","attribution":{"origin":"research_agent","upstream_url":null,"imported_from":null,"upstream_owner":null,"import_batch_id":null}},"observed_on":null,"original_id":"p-fb3379e0827b338a9968f42d85b3ee78f8b1fbf3/record","source_file":"records/p-fb3379e0827b338a9968f42d85b3ee78f8b1fbf3/record.json","research_side":{},"source_schema":"create-record-input/v1","original_sha256":"1f565b0825e4b284d66af40ddd7926546286128dc748825e36ce74b7d54246aa","unmapped_fields":[]},{"batch_id":"pipe-8fb04e8cd3901af5c609d3e8fb7fd4b1a46a8570","original":{"body":{"text":"Comparison of four period accounts by candidate ID, built from Sargent's pinned chapter and the other accounts' published candidate records (their texts were not re-read; wording is theirs). Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a young-audience concern, cold blood, avoiding the underworld, and local gates being harsher; differences in the body's name, how its role is described, tone toward it, and the test for acceptable crime; Sargent's unique points are board timing (first print before the cut negative) and the repentant-woman pattern; the 1919 list items (suicide, mischief, lynching, kidnapping) have no counterpart in his chapter. Differences in breadth are differences between authors, not evidence that practice changed.\n\nItem-by-item comparison (the producer's own fifteen verdicts, verbatim; inference built from Sargent's pinned chapter and the other accounts' published candidate records C3-B256-S71, C3-B242-S65 and C3-B258-S73, whose texts were not re-read; \"silence\" means silence in the records read; agreement is in direction only):\n- Item 1, body and name: Sargent calls it the National Board of Review, delegates of civic societies (People's Institute); Phillips and Esenwein and Leeds use the \"National Board of Censorship\" (C3-B256-S71-03; C3-B242-S65-03); Münsterberg names no board (C3-B258-S73-03). Difference in name and description; silence for Münsterberg. Sargent's book has 0 hits for \"National Board of Censorship\".\n- Item 2, force of the board: Sargent says its power comes only from submitting manufacturers and that unpassed films are stopped only through police in many cities; the 1919 account describes the board as inspecting and passing all films before release and refusing what it finds objectionable (C3-B242-S65-03 E1, E2). Possible conflict in emphasis between two trade authors; the records read do not settle it.\n- Item 3, tag or notice: Sargent says the tag reads \"passed\", with a history of \"approved\"; Phillips mentions a Board of Censorship notice at the end of a film (C3-B256-S71-03 E7). Partial agreement that a board notice appears on films; the 1919 and Münsterberg records are silent.\n- Item 4, young audiences: Sargent (young people), the 1919 account (children and undiscriminating adults, C3-B242-S65-03 E15) and Münsterberg (the young mind may suffer, C3-B258-S73-07 E7) all link the concern to young viewers; Phillips defines a censor by \"moral influence\" (C3-B256-S71-03 E6). Agreement in direction; Sargent adds a commercial reason (ultra-sensationalism reacting on makers) not in the other records.\n- Item 5, crime is conditional: Sargent (lesson that crime is punished), the 1919 account (essential to the story and moral-pointing, C3-B242-S65-04 E4, E6) and Münsterberg (moral atmosphere of the whole play, C3-B258-S73-03 E11) all make crime conditional. Agreement in direction; the tests differ (lesson-punishment; essential-not-the-purpose; atmosphere).\n- Item 6, suggestion versus depiction: Sargent (suggested may pass; cut-away) agrees in direction with Phillips's cut-away example (C3-B256-S71-02 E8) and the 1919 burglary item (show entry, not method, C3-B242-S65-04 E1). Difference on suicide: in the 1919 list even a suggestion is barred (C3-B242-S65-04 E17), while Sargent's chapter does not mention suicide (0 hits).\n- Item 7, passion versus cold blood: Sargent says a passion crime is more apt to pass; the 1919 list includes shooting in \"cold blood\" among crime items (C3-B242-S65-03 E6). Agreement in direction on cold blood; the passion distinction is not in the 1919 record read; Phillips and Münsterberg are silent on it in the records read.\n- Item 8, immorality and vice: Sargent bars lascivious and irreligious themes absolutely and describes a repentant-woman pattern; the 1919 account has \"vulgarity and suggestion\" (C3-B242-S65-03 E9) and no sex-depiction rule (C3-B242-S65-04); Phillips calls underworld plays immoral (C3-B256-S71-02 E13). Agreement in direction to avoid the lewd; the repentant-woman pattern has no counterpart in the records read.\n- Item 9, underworld, saloons and fights: Sargent advises avoiding them; Phillips calls underworld plays immoral (his classification, C3-B256-S71-02 E13); the 1919 burglary and weapons items are conditional (C3-B242-S65-04). Agreement in direction for the underworld; the 1919 treatment is more conditional.\n- Item 10, items only in the 1919 list: Sargent's chapter has 0 hits for suicid*, kidnap*, lynch* and mischief. His \"unwritten law\" (para 10, advice) has no stated referent; the 1919 list item is the board not recognising the so-called unwritten law as justification for killing (C3-B242-S65-03 E5). No match is claimed. Silence on the other items.\n- Item 11, local and police gates: Sargent (local or police censorships in some cities, less qualified) and the 1919 account (local boards carry the idea to extremes; police in many cities, C3-B242-S65-06 E3, E4) agree in direction that local gates exist and can be harsher. Phillips mentions local boards only in the glossary (C3-B256-S71-03 E6); Münsterberg reports producers' doubts about Federal censorship (C3-B258-S73-03 E4), which Sargent's chapter does not mention (0 hits for federal).\n- Item 12, writer advice and the director: Sargent warns that a director may carry an incident across the border and tells outside authors to write so safe that allowance does not arise; the 1919 account advises not giving the director the opportunity to adopt objectionable features (C3-B242-S65-04 E9). Close agreement. Münsterberg rejects the dramatized sermon (C3-B258-S73-03 E9), a different kind of claim (treatment, not safety).\n- Item 13, the moral: Sargent (a good moral is needed, not just claimed; lesson that crime is punished), Phillips (a moral ending is a must, C3-B256-S71-04 E1), the 1919 account (the incident must point a moral, C3-B242-S65-04 E6) and Münsterberg (appended punishment is not enough, C3-B258-S73-03 E5) all touch it. Agreement that a moral matters; they differ on whether late punishment suffices.\n- Item 14, tone toward the board: Sargent defends the national board (high ideals, passes much it does not approve of) and criticises local rulings; Phillips criticises the board's composition and hopes for a broader view (C3-B256-S71-03 E2, E4); the 1919 account criticises local boards (C3-B242-S65-06 E13). Difference between Sargent and Phillips; these are authors' attitudes, not facts about the board.\n- Item 15, timing of the ruling: only Sargent says the board rules on the first print before the cut negative goes to the printing room; the records read for the other three accounts do not state a timing for the national board (silence). The 1919 record does describe local cuts in a city (C3-B242-S65-06 E5), consistent with local action after release but not stated as timing.\n\nCurator qualifications: Sargent's description of censorship layers and his treatment advice (suggest rather than show; a crime serving a lesson) are verified as his report. The producer correctly labels them a trade author's account with no board text.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. LXVII offsets per candidate"}]},"tags":[],"type":"article","links":[],"title":"Comparison of four period accounts by candidate ID, built from Sargent's pinned chapter and the other accounts' published candidate records (their texts were not re-read; wording is theirs). Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a...","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Comparison of four period accounts by candidate ID, built from Sargent's pinned chapter and the other accounts' published candidate records (their texts were not re-read; wording is theirs). Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a young-audience concern, cold blood, avoiding the underworld, and local gates being harsher; differences in the body's name, how its role is described, tone toward it, and the test for acceptable crime; Sargent's unique points are board timing (first print before the cut negative) and the repentant-woman pattern; the 1919 list items (suicide, mischief, lynching, kidnapping) have no counterpart in his chapter. Differences in breadth are differences between authors, not evidence that practice changed.","evidence":{"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"Comparison of four period accounts by candidate ID, built from Sargent's pinned chapter and the other accounts' published candidate records (their texts were not re-read; wording is theirs). Fifteen items: agreement in direction on crime as conditional, suggestion over depiction, a young-audience concern, cold blood, avoiding the underworld, and local gates being harsher; differences in the body's name, how its role is described, tone toward it, and the test for acceptable crime; Sargent's unique points are board timing (first print before the cut negative) and the repentant-woman pattern; the 1919 list items (suicide, mischief, lynching, kidnapping) have no counterpart in his chapter. Differences in breadth are differences between authors, not evidence that practice changed.","locator":"sar.flat (a3cff7eb) ch. 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