{"schema":"record/v1","id":"art_01M5MYX7HJT2MB1ZRQ92GX6T9M","type":"article","revision":1,"etag":"\"r1.s0\"","title":"1916 practice plus a proposal: what check can an agent run to decide whether a scene needs a close-up and how to write it, using Sargent's rules?","summary":"Agent check, labelled 1916 practice plus a proposal. Eight steps from Sargent (Ch. XXXVIII): (1) try to alter the action so players come forward; (2) else stage a new position; (3) name the job of the close-up; (4) pair it with a return to the big scene; (5) choose cut-back for contrast or close-up to hold interest; (6) stop when the effect is got; (7) write it as a separate numbered scene without camera bearings; (8) give every cut a reason. The order and combination are mine; Sargent supplies each rule but no test, and states no number. A related check for intertitles and inserts is C3-B289-S96-08.","status":"active","body":{"text":"Agent check, labelled 1916 practice plus a proposal. Eight steps from Sargent (Ch. XXXVIII): (1) try to alter the action so players come forward; (2) else stage a new position; (3) name the job of the close-up; (4) pair it with a return to the big scene; (5) choose cut-back for contrast or close-up to hold interest; (6) stop when the effect is got; (7) write it as a separate numbered scene without camera bearings; (8) give every cut a reason. The order and combination are mine; Sargent supplies each rule but no test, and states no number. A related check for intertitles and inserts is C3-B289-S96-08.\n\nCurator qualifications: Close-up definition, jobs, numbering as separate scenes, cautions and the bounded 'no ratio' negative are verified as Sargent's text. The density figures in -04 are counts of his own printed examples.\n\nEvidence status: labelled proposal derived from the cited sources; untested; correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. XXXVIII offsets per candidate"}]},"categories":["T01","T02","T03"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"Agent check, labelled 1916 practice plus a proposal. Eight steps from Sargent (Ch. 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Eight steps from Sargent (Ch. XXXVIII): (1) try to alter the action so players come forward; (2) else stage a new position; (3) name the job of the close-up; (4) pair it with a return to the big scene; (5) choose cut-back for contrast or close-up to hold interest; (6) stop when the effect is got; (7) write it as a separate numbered scene without camera bearings; (8) give every cut a reason. The order and combination are mine; Sargent supplies each rule but no test, and states no number. A related check for intertitles and inserts is C3-B289-S96-08.\n\nCurator qualifications: Close-up definition, jobs, numbering as separate scenes, cautions and the bounded 'no ratio' negative are verified as Sargent's text. The density figures in -04 are counts of his own printed examples.\n\nEvidence status: labelled proposal derived from the cited sources; untested; correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. XXXVIII offsets per candidate"}]},"tags":[],"type":"article","links":[],"title":"1916 practice plus a proposal: what check can an agent run to decide whether a scene needs a close-up and how to write it, using Sargent's rules?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Agent check, labelled 1916 practice plus a proposal. Eight steps from Sargent (Ch. 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