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The method he gives is to read back six months to a year of release synopses in the Moving Picture World and the stories behind them, because an Editor will not pay for a theme already on a dozen or more films in the vault. The numbers are unsupported: 'seven to twenty-nine' fundamental plots (authorities unnamed), nearly the larger number released daily in the US, and one-half to two per cent of outside submissions acceptable (editors unnamed). The recommended weekly is also named on this book's title page. There is no test of staleness beyond reading back and comparing.\n\nCurator qualifications: Plot-choice, new-twist and true-story rules verified as Sargent's claims. Market assertions and unsupported numbers (7-29 plots, 0.5-2% acceptable) are flagged as such by the producer. The note that Sargent says nothing on rights or libel in ch. XX-XXII holds.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate"}]},"categories":["T01","T04"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"1916 practice (Sargent Ch. XXI). The method he gives is to read back six months to a year of release synopses in the Moving Picture World and the stories behind them, because an Editor will not pay for a theme already on a dozen or more films in the vault. 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