{"schema":"record/v1","id":"art_01M5MXHZSZQF9H8VB6Q67KGD8T","type":"article","revision":1,"etag":"\"r1.s0\"","title":"Which specific production items (sets, extras, costume, properties, actor types, locations, travel, effects) does Sargent (1916, Ch. XVII) say drive cost or limit what a free-lance script should call for, and what numbers does he give?","summary":"Sargent itemises where cost sits for a 1916 free-lance script: interior sets (20 sets for 45 scenes versus 7), costume (company must supply for non-contemporary or strange settings), properties that must be made, extras ($1-$5 a day, more days if mob scenes are scattered), unusual actor types, mixed climates, trains ($50-$100 if hired; free if a regular train at a station is used), aeroplanes and ships at sea. Practised workarounds he gives: plan mobs for one day with a few retained, unity of locale, stock footage used sparingly, stock aeroplane plus a cloth brick. Numbers are his unverified trade assertions; the chapter has no animals, children-policy or lighting items (bounded below).","status":"active","body":{"text":"Sargent itemises where cost sits for a 1916 free-lance script: interior sets (20 sets for 45 scenes versus 7), costume (company must supply for non-contemporary or strange settings), properties that must be made, extras ($1-$5 a day, more days if mob scenes are scattered), unusual actor types, mixed climates, trains ($50-$100 if hired; free if a regular train at a station is used), aeroplanes and ships at sea. Practised workarounds he gives: plan mobs for one day with a few retained, unity of locale, stock footage used sparingly, stock aeroplane plus a cloth brick. Numbers are his unverified trade assertions; the chapter has no animals, children-policy or lighting items (bounded below).\n\nCurator qualifications: Characterisation-in-action and practicability/cost rules verified; Baker/Phillips/Esenwein comparisons are relayed rows (-06 is synthesis only, by candidate ID); the -07 checklist is a proposal.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate"}]},"categories":["T01","T04"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"Sargent itemises where cost sits for a 1916 free-lance script: interior sets (20 sets for 45 scenes versus 7), costume (company must supply for non-contemporary or strange settings), properties that must be made, extras ($1-$5 a day, more days if mob scenes are scattered), unusual actor types, mixed climates, trains ($50-$100 if hired; free if a regular train at a station is used), aeroplanes and ships at sea. Practised workarounds he gives: plan mobs for one day with a few retained, unity of locale, stock footage used sparingly, stock aeroplane plus a cloth brick. 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Practised workarounds he gives: plan mobs for one day with a few retained, unity of locale, stock footage used sparingly, stock aeroplane plus a cloth brick. Numbers are his unverified trade assertions; the chapter has no animals, children-policy or lighting items (bounded below).\n\nCurator qualifications: Characterisation-in-action and practicability/cost rules verified; Baker/Phillips/Esenwein comparisons are relayed rows (-06 is synthesis only, by candidate ID); the -07 checklist is a proposal.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate"}]},"tags":[],"type":"article","links":[],"title":"Which specific production items (sets, extras, costume, properties, actor types, locations, travel, effects) does Sargent (1916, Ch. XVII) say drive cost or limit what a free-lance script should call for, and what numbers does he give?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Sargent itemises where cost sits for a 1916 free-lance script: interior sets (20 sets for 45 scenes versus 7), costume (company must supply for non-contemporary or strange settings), properties that must be made, extras ($1-$5 a day, more days if mob scenes are scattered), unusual actor types, mixed climates, trains ($50-$100 if hired; free if a regular train at a station is used), aeroplanes and ships at sea. Practised workarounds he gives: plan mobs for one day with a few retained, unity of locale, stock footage used sparingly, stock aeroplane plus a cloth brick. 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