{"schema":"record/v1","id":"art_01M5MXCR0DEWH6NCQDYZK1A0MZ","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What did Sargent (1916) say about how to write the action inside one scene: tense, how much detail, wording conventions, and what to leave to the director?","summary":"Sargent says scene action is written in the present tense, states what happens rather than how it is staged, and leaves camera positions and stage business to the director; he allows an elaborate scene when a particular piece of business matters. He recommends names over pronouns, dashes between phases, and dialogue in the action only where it explains more than description. 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Description length is said to be unrelated to screen length.\n\nCurator qualifications: Present tense, what-not-how, names over pronouns, dashes and limited dialogue verified.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate; sar.flat spot checks"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"Sargent says scene action is written in the present tense, states what happens rather than how it is staged, and leaves camera positions and stage business to the director; he allows an elaborate scene when a particular piece of business matters. 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