{"schema":"record/v1","id":"art_01M5MXCKA26RGFBBQX50FGGQZD","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What may a cast-list entry say about a character's appearance and manner, and how does Sargent (1916) tell the writer to choose and use names?","summary":"Sargent (Ch. XXIX paras 6-16) says a cast entry should not describe looks unless a physical trait matters to the plot: a limp is listed because a disguise depends on it, not for colour. Permanent mannerisms go in the cast; temporary ones and disguises go in the scenes. Keep one name for each character throughout. Choose short, pleasant names for heroines, a harsh sound for antagonists, tag minor characters by role (Butler, Detective) rather than by name, and avoid fanciful or punning names. He also reports a Thanhouser convention of fixed names for stock types. The Brown, Agatha and Betty entries are his illustrations.","status":"active","body":{"text":"Sargent (Ch. XXIX paras 6-16) says a cast entry should not describe looks unless a physical trait matters to the plot: a limp is listed because a disguise depends on it, not for colour. Permanent mannerisms go in the cast; temporary ones and disguises go in the scenes. Keep one name for each character throughout. Choose short, pleasant names for heroines, a harsh sound for antagonists, tag minor characters by role (Butler, Detective) rather than by name, and avoid fanciful or punning names. He also reports a Thanhouser convention of fixed names for stock types. The Brown, Agatha and Betty entries are his illustrations.\n\nCurator qualifications: Cast description and naming advice verified; stock-name convention is reported from one studio writer.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate; sar.flat regex spot checks"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"Sargent (Ch. XXIX paras 6-16) says a cast entry should not describe looks unless a physical trait matters to the plot: a limp is listed because a disguise depends on it, not for colour. Permanent mannerisms go in the cast; temporary ones and disguises go in the scenes. Keep one name for each character throughout. Choose short, pleasant names for heroines, a harsh sound for antagonists, tag minor characters by role (Butler, Detective) rather than by name, and avoid fanciful or punning names. He also reports a Thanhouser convention of fixed names for stock types. 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XXIX paras 6-16) says a cast entry should not describe looks unless a physical trait matters to the plot: a limp is listed because a disguise depends on it, not for colour. Permanent mannerisms go in the cast; temporary ones and disguises go in the scenes. Keep one name for each character throughout. Choose short, pleasant names for heroines, a harsh sound for antagonists, tag minor characters by role (Butler, Detective) rather than by name, and avoid fanciful or punning names. He also reports a Thanhouser convention of fixed names for stock types. The Brown, Agatha and Betty entries are his illustrations.\n\nCurator qualifications: Cast description and naming advice verified; stock-name convention is reported from one studio writer.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate; sar.flat regex spot checks"}]},"tags":[],"type":"article","links":[],"title":"What may a cast-list entry say about a character's appearance and manner, and how does Sargent (1916) tell the writer to choose and use names?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Sargent (Ch. 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