{"schema":"record/v1","id":"art_01M5MXCFKF3MTR29F9YX7EJVEY","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What does Sargent (1916) tell a writer to include, lead with and leave out of a synopsis, and which parts are his claims and which only his examples?","summary":"Sargent (Ch. XXVIII paras 7, 9-11, 13-14, 17) says to lead with the most striking fact rather than a generic setup, to give the one great essential point of the story, to avoid scene-by-scene retelling, never to promise what the action lacks, to name and tag characters in the synopsis, and not to add a note saying the story cannot be told in synopsis. He also suggests opening with a claim of novelty. The rules are his claims; the Henry Prichard, Mary and Jim, Ethan Dodge and Mammon's-daughter passages are his illustrative examples, written for the book rather than drawn from sold scripts.","status":"active","body":{"text":"Sargent (Ch. XXVIII paras 7, 9-11, 13-14, 17) says to lead with the most striking fact rather than a generic setup, to give the one great essential point of the story, to avoid scene-by-scene retelling, never to promise what the action lacks, to name and tag characters in the synopsis, and not to add a note saying the story cannot be told in synopsis. He also suggests opening with a claim of novelty. The rules are his claims; the Henry Prichard, Mary and Jim, Ethan Dodge and Mammon's-daughter passages are his illustrative examples, written for the book rather than drawn from sold scripts.\n\nCurator qualifications: Synopsis writing rules verified; named passages are his invented examples.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate; sar.flat regex spot checks"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"Sargent (Ch. 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XXVIII paras 7, 9-11, 13-14, 17) says to lead with the most striking fact rather than a generic setup, to give the one great essential point of the story, to avoid scene-by-scene retelling, never to promise what the action lacks, to name and tag characters in the synopsis, and not to add a note saying the story cannot be told in synopsis. He also suggests opening with a claim of novelty. 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