{"schema":"record/v1","id":"art_01M5MXA7H0NZZ1BYN4T1D7KMFJ","type":"article","revision":1,"etag":"\"r1.s0\"","title":"When does Sargent (1916) say a spoken line should be shown as a cut-in rather than a straight leader, how is a cut-in written, and how many may a scene have?","summary":"1916 practice (Sargent): a cut-in is a leader placed inside a scene as a character's speech; he calls it less intrusive than a straight leader and a way to hold back a fact until it lands. It replaces the spoken speech rather than repeating it; a scene must return from it; he sets two per scene as a ceiling and prefers one. The wording must be everyday speech.","status":"active","body":{"text":"1916 practice (Sargent): a cut-in is a leader placed inside a scene as a character's speech; he calls it less intrusive than a straight leader and a way to hold back a fact until it lands. It replaces the spoken speech rather than repeating it; a scene must return from it; he sets two per scene as a ceiling and prefers one. The wording must be everyday speech.\n\nCurator qualifications: Leader types (straight, fact, time, break, cut-in), the cut-in as in-scene speech, time-leader wording and misuses are verified as Sargent's text. The seven-check list (-05) is labelled practice plus proposal.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate"}]},"categories":["T01","T10"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"1916 practice (Sargent): a cut-in is a leader placed inside a scene as a character's speech; he calls it less intrusive than a straight leader and a way to hold back a fact until it lands. It replaces the spoken speech rather than repeating it; a scene must return from it; he sets two per scene as a ceiling and prefers one. 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It replaces the spoken speech rather than repeating it; a scene must return from it; he sets two per scene as a ceiling and prefers one. The wording must be everyday speech.\n\nCurator qualifications: Leader types (straight, fact, time, break, cut-in), the cut-in as in-scene speech, time-leader wording and misuses are verified as Sargent's text. 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