{"schema":"record/v1","id":"art_01M5MX9RVNKWGSF0EFHP8S7262","type":"article","revision":1,"etag":"\"r1.s0\"","title":"When does Sargent (1916, Ch. XXXIX) cut back to bridge a break or shorten a long scene instead of using a leader or a close-up, and how does he compress a long fight?","summary":"1916 practice: Sargent offers the cut-back as the way out of a set where nothing more can happen (the actress in the dressing room), as a replacement for a break leader, and as an alternative to a close-up for a long speech, where the cut-back's contrast 'does not form a rule' and may be weaker. Where tension is high a leader would break it, so a cut-back is preferable. For a violent scene he cuts to related action or a contrast because suggestion draws less objection than the physical action. To compress a fight he alternates it with an invented progression (a man running for the police): about twenty feet of fight suggests a half-hour struggle in under a minute. The cut-back also lets the writer choose anticipation or surprise.","status":"active","body":{"text":"1916 practice: Sargent offers the cut-back as the way out of a set where nothing more can happen (the actress in the dressing room), as a replacement for a break leader, and as an alternative to a close-up for a long speech, where the cut-back's contrast 'does not form a rule' and may be weaker. Where tension is high a leader would break it, so a cut-back is preferable. For a violent scene he cuts to related action or a contrast because suggestion draws less objection than the physical action. To compress a fight he alternates it with an invented progression (a man running for the police): about twenty feet of fight suggests a half-hour struggle in under a minute. The cut-back also lets the writer choose anticipation or surprise.\n\nCurator qualifications: Cut-back jobs (bridge, contrast, suspense), scene numbering ('Back to No. 35'), suspense by alternation and the cautions are verified as Sargent's text.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. 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