{"schema":"record/v1","id":"art_01M5MX9PGSMKJNSF3K7T445ZAA","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How is a cut-back or flash written into a 1916 photoplay script: numbering, the 'Back to No.' and 'as in No.' wording, 'Flash of fight' entries, and where is the form flexible?","summary":"1916 practice: in Sargent's examples every cut-back is its own numbered scene entry: number, place, then the action joined by dashes. A return to an earlier scene is written 'Back to No. 35' or 'as in No. 45'; in his shop-fight sequence the brief fight inserts are written 'Back to No. 43 -- Flash of fight.' There is no timing mark in these entries. He says the scene-reference rules of Chapter XXX are general practice, not rigid: when the author's intent is clear, any form is permissible and no script is rejected for writing 'Same as' instead of 'Back to'. Two scenes can also cross-refer so the director may play either first.","status":"active","body":{"text":"1916 practice: in Sargent's examples every cut-back is its own numbered scene entry: number, place, then the action joined by dashes. A return to an earlier scene is written 'Back to No. 35' or 'as in No. 45'; in his shop-fight sequence the brief fight inserts are written 'Back to No. 43 -- Flash of fight.' There is no timing mark in these entries. He says the scene-reference rules of Chapter XXX are general practice, not rigid: when the author's intent is clear, any form is permissible and no script is rejected for writing 'Same as' instead of 'Back to'. Two scenes can also cross-refer so the director may play either first.\n\nCurator qualifications: Cut-back jobs (bridge, contrast, suspense), scene numbering ('Back to No. 35'), suspense by alternation and the cautions are verified as Sargent's text.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. 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A return to an earlier scene is written 'Back to No. 35' or 'as in No. 45'; in his shop-fight sequence the brief fight inserts are written 'Back to No. 43 -- Flash of fight.' There is no timing mark in these entries. He says the scene-reference rules of Chapter XXX are general practice, not rigid: when the author's intent is clear, any form is permissible and no script is rejected for writing 'Same as' instead of 'Back to'. Two scenes can also cross-refer so the director may play either first.\n\nCurator qualifications: Cut-back jobs (bridge, contrast, suspense), scene numbering ('Back to No. 35'), suspense by alternation and the cautions are verified as Sargent's text.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. XXXIX offsets per candidate"}]},"tags":[],"type":"article","links":[],"title":"How is a cut-back or flash written into a 1916 photoplay script: numbering, the 'Back to No.' and 'as in No.' wording, 'Flash of fight' entries, and where is the form flexible?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"1916 practice: in Sargent's examples every cut-back is its own numbered scene entry: number, place, then the action joined by dashes. A return to an earlier scene is written 'Back to No. 35' or 'as in No. 45'; in his shop-fight sequence the brief fight inserts are written 'Back to No. 43 -- Flash of fight.' There is no timing mark in these entries. 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