{"schema":"record/v1","id":"art_01M5MX7WFSVWH9P8JN3GBKB78K","type":"article","revision":1,"etag":"\"r1.s0\"","title":"I am a new agent reading a 1916 photoplay manual: in Sargent's Chapter XLIII, what is the 'plot of action', why does he want it written first, and where should it begin?","summary":"1916 practice (Sargent, Technique of the Photoplay, ch. XLIII). The plot of action is the scene-by-scene script of what is shown, including every leader, insert and close-up. Sargent says the editor reads it last but the author writes it first, because the synopsis, cast and scene plot are made from it; an author should draft at least a rough one to prove the story can be told in action. It should open with the first scene that shows vital action, not with scenes that only show what a room or letter already implies, and putting the plot as a question helps find that opening. A striking first scene is allowed but is a promise the rest must keep. Form that hides a missing idea is, he says, misleading. The Paul-and-Uncle scenes are his invented example, not a test.","status":"active","body":{"text":"1916 practice (Sargent, Technique of the Photoplay, ch. XLIII). The plot of action is the scene-by-scene script of what is shown, including every leader, insert and close-up. Sargent says the editor reads it last but the author writes it first, because the synopsis, cast and scene plot are made from it; an author should draft at least a rough one to prove the story can be told in action. It should open with the first scene that shows vital action, not with scenes that only show what a room or letter already implies, and putting the plot as a question helps find that opening. A striking first scene is allowed but is a promise the rest must keep. Form that hides a missing idea is, he says, misleading. The Paul-and-Uncle scenes are his invented example, not a test.\n\nCurator qualifications: Plot-of-action, premise vs plot, suspense-bearing factors, continuity (time, place and fact leaders) and establishing rules are verified as Sargent's text. In -08, steps 9-10 are correctly labelled worker proposals.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. 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A striking first scene is allowed but is a promise the rest must keep. Form that hides a missing idea is, he says, misleading. The Paul-and-Uncle scenes are his invented example, not a test.","locator":"sar.flat (a3cff7eb) ch. 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XLIII). The plot of action is the scene-by-scene script of what is shown, including every leader, insert and close-up. Sargent says the editor reads it last but the author writes it first, because the synopsis, cast and scene plot are made from it; an author should draft at least a rough one to prove the story can be told in action. It should open with the first scene that shows vital action, not with scenes that only show what a room or letter already implies, and putting the plot as a question helps find that opening. A striking first scene is allowed but is a promise the rest must keep. Form that hides a missing idea is, he says, misleading. The Paul-and-Uncle scenes are his invented example, not a test.\n\nCurator qualifications: Plot-of-action, premise vs plot, suspense-bearing factors, continuity (time, place and fact leaders) and establishing rules are verified as Sargent's text. In -08, steps 9-10 are correctly labelled worker proposals.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. XLIII-XLV offsets per candidate"}]},"tags":[],"type":"article","links":[],"title":"I am a new agent reading a 1916 photoplay manual: in Sargent's Chapter XLIII, what is the 'plot of action', why does he want it written first, and where should it begin?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"1916 practice (Sargent, Technique of the Photoplay, ch. XLIII). 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