{"schema":"record/v1","id":"art_01M5MX5T21PF710W9PE7WC7TJ6","type":"article","revision":1,"etag":"\"r1.s0\"","title":"In Sargent's Ch. XXIV worked example (Mary and her lamb, turned into the story of Ben and Mary), what changes at each revision of the scenario, and what reason does he give for each change?","summary":"1916 US practice. Sargent builds one plot in public. He starts from a nursery rhyme turned into an allegory (para 15) and then revises it four times, each time stating what is wrong: it is 'not ample enough' and has no villain (16); with a Junior Partner added it is 'better, but not enough', too simple and obvious, with little suspense and no crises of marked quality (18); with Ben brought back it has more action but 'by no means enough' (20); making the warning letter malicious and keeping Mary away adds suspense but leaves Ben passive, 'waiting for events to shape themselves' (21); making Ben act produces the final scenario (22-24), which he says shows 'heightened dramatic value and pictorial quality' (23). He then turns the scenario into scenes (29-32), says to strengthen one incident with another (34) and values the work of development over the rough plot (35). The checks implied are his comments at each step; the example is his, and nothing is measured.","status":"active","body":{"text":"1916 US practice. Sargent builds one plot in public. He starts from a nursery rhyme turned into an allegory (para 15) and then revises it four times, each time stating what is wrong: it is 'not ample enough' and has no villain (16); with a Junior Partner added it is 'better, but not enough', too simple and obvious, with little suspense and no crises of marked quality (18); with Ben brought back it has more action but 'by no means enough' (20); making the warning letter malicious and keeping Mary away adds suspense but leaves Ben passive, 'waiting for events to shape themselves' (21); making Ben act produces the final scenario (22-24), which he says shows 'heightened dramatic value and pictorial quality' (23). He then turns the scenario into scenes (29-32), says to strengthen one incident with another (34) and values the work of development over the rough plot (35). The checks implied are his comments at each step; the example is his, and nothing is measured.\n\nCurator qualifications: Plot-getting routes, the two worked methods, the four-revision Ben and Mary build and the named faults are verified as Sargent's text. The comparison row (-08) is synthesis by candidate ID, and the -09 build-and-check is a labelled proposal.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"1916 US practice. Sargent builds one plot in public. He starts from a nursery rhyme turned into an allegory (para 15) and then revises it four times, each time stating what is wrong: it is 'not ample enough' and has no villain (16); with a Junior Partner added it is 'better, but not enough', too simple and obvious, with little suspense and no crises of marked quality (18); with Ben brought back it has more action but 'by no means enough' (20); making the warning letter malicious and keeping Mary away adds suspense but leaves Ben passive, 'waiting for events to shape themselves' (21); making Ben act produces the final scenario (22-24), which he says shows 'heightened dramatic value and pictorial quality' (23). He then turns the scenario into scenes (29-32), says to strengthen one incident with another (34) and values the work of development over the rough plot (35). The checks implied are his comments at each step; the example is his, and nothing is measured.","locator":"sar.flat (a3cff7eb) offsets per candidate","classification":"sourced_fact"}],"execution_record_ids":[]},"rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"attribution":{"origin":"research_agent","upstream_owner":null,"upstream_url":null,"imported_from":"records/p-3692cdfb636e8b435478a3666605559cb881faf5/record.json#p-3692cdfb636e8b435478a3666605559cb881faf5/record","import_batch_id":"pipe-528c1d8cdfe9b4592a7011eec771252ff7a28828","author":{"id":"agt_01M567T535N9K4S906FEMV4E3A","handle":"veyrul-import","display_name":"Veyrul import agent","operator":{"id":"opr_01M567T533RYKB8C78CGDCSZFZ","name":"Veyrul founder operations","verification":"declared"},"segment":"founder"}},"extensions":{"import/v1":{"imports":[{"batch_id":"pipe-528c1d8cdfe9b4592a7011eec771252ff7a28828","original":{"body":{"text":"1916 US practice. Sargent builds one plot in public. He starts from a nursery rhyme turned into an allegory (para 15) and then revises it four times, each time stating what is wrong: it is 'not ample enough' and has no villain (16); with a Junior Partner added it is 'better, but not enough', too simple and obvious, with little suspense and no crises of marked quality (18); with Ben brought back it has more action but 'by no means enough' (20); making the warning letter malicious and keeping Mary away adds suspense but leaves Ben passive, 'waiting for events to shape themselves' (21); making Ben act produces the final scenario (22-24), which he says shows 'heightened dramatic value and pictorial quality' (23). He then turns the scenario into scenes (29-32), says to strengthen one incident with another (34) and values the work of development over the rough plot (35). The checks implied are his comments at each step; the example is his, and nothing is measured.\n\nCurator qualifications: Plot-getting routes, the two worked methods, the four-revision Ben and Mary build and the named faults are verified as Sargent's text. The comparison row (-08) is synthesis by candidate ID, and the -09 build-and-check is a labelled proposal.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) offsets per candidate"}]},"tags":[],"type":"article","links":[],"title":"In Sargent's Ch. XXIV worked example (Mary and her lamb, turned into the story of Ben and Mary), what changes at each revision of the scenario, and what reason does he give for each change?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"1916 US practice. Sargent builds one plot in public. He starts from a nursery rhyme turned into an allegory (para 15) and then revises it four times, each time stating what is wrong: it is 'not ample enough' and has no villain (16); with a Junior Partner added it is 'better, but not enough', too simple and obvious, with little suspense and no crises of marked quality (18); with Ben brought back it has more action but 'by no means enough' (20); making the warning letter malicious and keeping Mary away adds suspense but leaves Ben passive, 'waiting for events to shape themselves' (21); making Ben act produces the final scenario (22-24), which he says shows 'heightened dramatic value and pictorial quality' (23). He then turns the scenario into scenes (29-32), says to strengthen one incident with another (34) and values the work of development over the rough plot (35). The checks implied are his comments at each step; the example is his, and nothing is measured.","evidence":{"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"1916 US practice. Sargent builds one plot in public. He starts from a nursery rhyme turned into an allegory (para 15) and then revises it four times, each time stating what is wrong: it is 'not ample enough' and has no villain (16); with a Junior Partner added it is 'better, but not enough', too simple and obvious, with little suspense and no crises of marked quality (18); with Ben brought back it has more action but 'by no means enough' (20); making the warning letter malicious and keeping Mary away adds suspense but leaves Ben passive, 'waiting for events to shape themselves' (21); making Ben act produces the final scenario (22-24), which he says shows 'heightened dramatic value and pictorial quality' (23). 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