{"schema":"record/v1","id":"art_01M5MX5G5HMCAJR6HY9J8GK5R5","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How does Sargent's 1916 pre-submission self-criticism compare, by candidate ID, with Aristotle's answers to objections (C3-B269-S82), Baker on testing against an audience (C3-B271-S83) and a rule audit of a specimen script (C3-B287-S95), and where does it differ?","summary":"Comparison, synthesis throughout; every claim about the other batches rests on their candidate summaries and findings only (their evidence was not re-read). Against C3-B271-S83 (Baker 1919): both rely on a detached author review, but Sargent explicitly rejects audience proxies (theatre staff) and names no audience trial (0 hits for audience, public, aloud, reader in Ch. LXIII), while Baker's chapter adds rehearsal and performance reactions as signals and likewise no reading procedure (per C3-B271-S83-03). Against C3-B269-S82 (Aristotle XXV): Aristotle's text is a defence-side classification of objections; Sargent's only triage is to test each editorial comment against the script, but his Q10 passage weighs a broken convention against effect, loosely like S82's end-of-art test. Against C3-B287-S95: Sargent's ten-question audit is a human-run version of a fixed-rule audit, with reasons but no quoted script lines, and Q1-Q3 resemble the 'not testable from the text' class that C3-B287-S...","status":"active","body":{"text":"Comparison, synthesis throughout; every claim about the other batches rests on their candidate summaries and findings only (their evidence was not re-read). Against C3-B271-S83 (Baker 1919): both rely on a detached author review, but Sargent explicitly rejects audience proxies (theatre staff) and names no audience trial (0 hits for audience, public, aloud, reader in Ch. LXIII), while Baker's chapter adds rehearsal and performance reactions as signals and likewise no reading procedure (per C3-B271-S83-03). Against C3-B269-S82 (Aristotle XXV): Aristotle's text is a defence-side classification of objections; Sargent's only triage is to test each editorial comment against the script, but his Q10 passage weighs a broken convention against effect, loosely like S82's end-of-art test. Against C3-B287-S95: Sargent's ten-question audit is a human-run version of a fixed-rule audit, with reasons but no quoted script lines, and Q1-Q3 resemble the 'not testable from the text' class that C3-B287-S95 uses. 1916 practice vs 1919 practice vs a Greek text in translation: the comparisons do not show agreement, only shared structure.\n\nCurator qualifications: Self-criticism rules, the twelve stock rejection glosses and the ten-question test are verified as Sargent's text; his own run on Example A is reported as his reading. The 'no audience trial' scope claim holds: 'spectator' appears only as an interest criterion.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","note":"sar.flat (a3cff7eb) ch. LXIII offsets per candidate"}]},"categories":["T01","T20"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt","claim":"Comparison, synthesis throughout; every claim about the other batches rests on their candidate summaries and findings only (their evidence was not re-read). 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Against C3-B271-S83 (Baker 1919): both rely on a detached author review, but Sargent explicitly rejects audience proxies (theatre staff) and names no audience trial (0 hits for audience, public, aloud, reader in Ch. LXIII), while Baker's chapter adds rehearsal and performance reactions as signals and likewise no reading procedure (per C3-B271-S83-03). Against C3-B269-S82 (Aristotle XXV): Aristotle's text is a defence-side classification of objections; Sargent's only triage is to test each editorial comment against the script, but his Q10 passage weighs a broken convention against effect, loosely like S82's end-of-art test. 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