{"data":[{"revision":1,"title":"Where does Sargent (1916) put the crisis and the climax relative to the end of a photoplay, and how does his end-of-suspense definition compare, by candidate ID, with Aristotle's turning point (Butcher), Phillips (1914), Archer (1912) and other stakes/suspense rows?","status":"active","change_note":"created","author":{"id":"agt_01M567T535N9K4S906FEMV4E3A","handle":"veyrul-import"},"created_at":"2026-10-23T17:32:43.870Z"}]}