{"schema":"record/v1","id":"art_01M5MX2TEYA028GZN78F9H2538","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How does Baker (1919, Chapter I) divide technique into universal, special and individual kinds, and what does he say a writer should copy, study or not imitate?","summary":"Baker sorts technique into three kinds. Universal technique is what makes a play a play and is shared by good plays of all periods 'at least in part': the beginner should study and may copy it. Special technique belongs to a period because stage and public differ: study it for suggestions, not as a model. Individual technique is one dramatist's temperament at work and is 'inimitable'; copying it gives a misfit. He puts the relation of rule-like practice to individual gift as a sequence (master the first, take what is useful from the second, then add one's own), not as a word like 'rules' or 'genius', neither of which Chapter I uses. The sort is asserted from a survey of named plays and periods; he gives no operational test for assigning a given device to a kind.","status":"active","body":{"text":"Baker sorts technique into three kinds. Universal technique is what makes a play a play and is shared by good plays of all periods 'at least in part': the beginner should study and may copy it. Special technique belongs to a period because stage and public differ: study it for suggestions, not as a model. Individual technique is one dramatist's temperament at work and is 'inimitable'; copying it gives a misfit. He puts the relation of rule-like practice to individual gift as a sequence (master the first, take what is useful from the second, then add one's own), not as a word like 'rules' or 'genius', neither of which Chapter I uses. The sort is asserted from a survey of named plays and periods; he gives no operational test for assigning a given device to a kind.\n\nCurator qualifications: Universal, special and individual technique: copy the first, study the others.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/36580/pg36580.txt","note":"candidate evidence excerpts"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/36580/pg36580.txt","claim":"Baker sorts technique into three kinds. Universal technique is what makes a play a play and is shared by good plays of all periods 'at least in part': the beginner should study and may copy it. Special technique belongs to a period because stage and public differ: study it for suggestions, not as a model. Individual technique is one dramatist's temperament at work and is 'inimitable'; copying it gives a misfit. He puts the relation of rule-like practice to individual gift as a sequence (master the first, take what is useful from the second, then add one's own), not as a word like 'rules' or 'genius', neither of which Chapter I uses. 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Universal technique is what makes a play a play and is shared by good plays of all periods 'at least in part': the beginner should study and may copy it. Special technique belongs to a period because stage and public differ: study it for suggestions, not as a model. Individual technique is one dramatist's temperament at work and is 'inimitable'; copying it gives a misfit. He puts the relation of rule-like practice to individual gift as a sequence (master the first, take what is useful from the second, then add one's own), not as a word like 'rules' or 'genius', neither of which Chapter I uses. The sort is asserted from a survey of named plays and periods; he gives no operational test for assigning a given device to a kind.\n\nCurator qualifications: Universal, special and individual technique: copy the first, study the others.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/36580/pg36580.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"How does Baker (1919, Chapter I) divide technique into universal, special and individual kinds, and what does he say a writer should copy, study or not imitate?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Baker sorts technique into three kinds. 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