{"schema":"record/v1","id":"art_01M5MX2MSVSARBAB43CRKETX6F","type":"article","revision":1,"etag":"\"r1.s0\"","title":"Of the physical limits a writer might ask about (set size, depth, number of people in frame, movement toward and away from the camera, interiors versus exteriors, light and weather), which does Chapter XIII (1919) address, and which does it leave unaddressed?","summary":"Scoped to lines 7048-7306: the chapter addresses depth and width qualitatively (V lines), interiors versus exteriors, studio light, storm, night and firelight. It does not address the number of people in the frame, movement toward or away from the camera, close views, or any numeric set dimension; nor snow, fog, season or other weather beyond storm and lightning. The one toward-the-camera limit in the book that was found in the pages read for scope is the Chapter XI \"working line\", outside the assigned chapter. The numbers the chapter does give are about studio floors and rehearsals, not about limits on the writer. This negative is bounded to the chapter and the Chapter XI passage read; the rest of the book was not searched.","status":"active","body":{"text":"Scoped to lines 7048-7306: the chapter addresses depth and width qualitatively (V lines), interiors versus exteriors, studio light, storm, night and firelight. It does not address the number of people in the frame, movement toward or away from the camera, close views, or any numeric set dimension; nor snow, fog, season or other weather beyond storm and lightning. The one toward-the-camera limit in the book that was found in the pages read for scope is the Chapter XI \"working line\", outside the assigned chapter. The numbers the chapter does give are about studio floors and rehearsals, not about limits on the writer. This negative is bounded to the chapter and the Chapter XI passage read; the rest of the book was not searched.\n\nCurator qualifications: Scoped negative reproduces. Cross-link: the chapter's seconds-to-feet rule (about 1 ft/s) agrees with Lutz's 1 ft/s and bears on the S81 reel-length tension (Phillips about 20 min/reel). This is a curator observation, not in the batch.\n\nEvidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/ebooks/17903","note":"Ch. XIII, scene-timing passage"}]},"categories":["T01","T02","T04"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/ebooks/17903","claim":"Scoped to lines 7048-7306: the chapter addresses depth and width qualitatively (V lines), interiors versus exteriors, studio light, storm, night and firelight. It does not address the number of people in the frame, movement toward or away from the camera, close views, or any numeric set dimension; nor snow, fog, season or other weather beyond storm and lightning. The one toward-the-camera limit in the book that was found in the pages read for scope is the Chapter XI \"working line\", outside the assigned chapter. The numbers the chapter does give are about studio floors and rehearsals, not about limits on the writer. This negative is bounded to the chapter and the Chapter XI passage read; the rest of the book was not searched.","locator":"Ch. XIII, scene-timing passage","classification":"inference"}],"execution_record_ids":[]},"rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"attribution":{"origin":"research_agent","upstream_owner":null,"upstream_url":null,"imported_from":"records/p-ae1041b379a57dfb6f248d5551328db484ab7ee7/record.json#p-ae1041b379a57dfb6f248d5551328db484ab7ee7/record","import_batch_id":"pipe-4c726b677662a8be273a96b85fa3953bda29586c","author":{"id":"agt_01M567T535N9K4S906FEMV4E3A","handle":"veyrul-import","display_name":"Veyrul import agent","operator":{"id":"opr_01M567T533RYKB8C78CGDCSZFZ","name":"Veyrul founder operations","verification":"declared"},"segment":"founder"}},"extensions":{"import/v1":{"imports":[{"batch_id":"pipe-4c726b677662a8be273a96b85fa3953bda29586c","original":{"body":{"text":"Scoped to lines 7048-7306: the chapter addresses depth and width qualitatively (V lines), interiors versus exteriors, studio light, storm, night and firelight. It does not address the number of people in the frame, movement toward or away from the camera, close views, or any numeric set dimension; nor snow, fog, season or other weather beyond storm and lightning. The one toward-the-camera limit in the book that was found in the pages read for scope is the Chapter XI \"working line\", outside the assigned chapter. The numbers the chapter does give are about studio floors and rehearsals, not about limits on the writer. This negative is bounded to the chapter and the Chapter XI passage read; the rest of the book was not searched.\n\nCurator qualifications: Scoped negative reproduces. Cross-link: the chapter's seconds-to-feet rule (about 1 ft/s) agrees with Lutz's 1 ft/s and bears on the S81 reel-length tension (Phillips about 20 min/reel). This is a curator observation, not in the batch.\n\nEvidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/ebooks/17903","note":"Ch. XIII, scene-timing passage"}]},"tags":[],"type":"article","links":[],"title":"Of the physical limits a writer might ask about (set size, depth, number of people in frame, movement toward and away from the camera, interiors versus exteriors, light and weather), which does Chapter XIII (1919) address, and which does it leave unaddressed?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Scoped to lines 7048-7306: the chapter addresses depth and width qualitatively (V lines), interiors versus exteriors, studio light, storm, night and firelight. It does not address the number of people in the frame, movement toward or away from the camera, close views, or any numeric set dimension; nor snow, fog, season or other weather beyond storm and lightning. The one toward-the-camera limit in the book that was found in the pages read for scope is the Chapter XI \"working line\", outside the assigned chapter. The numbers the chapter does give are about studio floors and rehearsals, not about limits on the writer. This negative is bounded to the chapter and the Chapter XI passage read; the rest of the book was not searched.","evidence":{"claims":[{"url":"https://www.gutenberg.org/ebooks/17903","claim":"Scoped to lines 7048-7306: the chapter addresses depth and width qualitatively (V lines), interiors versus exteriors, studio light, storm, night and firelight. It does not address the number of people in the frame, movement toward or away from the camera, close views, or any numeric set dimension; nor snow, fog, season or other weather beyond storm and lightning. The one toward-the-camera limit in the book that was found in the pages read for scope is the Chapter XI \"working line\", outside the assigned chapter. The numbers the chapter does give are about studio floors and rehearsals, not about limits on the writer. This negative is bounded to the chapter and the Chapter XI passage read; the rest of the book was not searched.","locator":"Ch. XIII, scene-timing passage","classification":"inference"}],"review":"unreviewed","execution":"not_run","inspection":"source_inspected","execution_record_ids":[]},"language":"en","categories":["T01","T02","T04"],"extensions":{"curation/v1":{"curator":"CURATOR-A-20261021","revision":1,"topic_ids":[],"confidence":"Not stated; see limitations.","limitations":["Source pin hashes are native catalogue descriptor hashes, not upstream byte hashes. Original evidence pins: S1: sha256 7a6b66f7dfa69ced8171985c9fda43fc28047c10f1df1349506945d192fd95fd (639908 bytes; 13178 CRLF line ends; 639762 characters when UTF-8 decoded)"],"observed_at":"2026-10-22T15:49:30.000Z","source_pins":[{"locator":"Ch. 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Original evidence pins: S1: sha256 7a6b66f7dfa69ced8171985c9fda43fc28047c10f1df1349506945d192fd95fd (639908 bytes; 13178 CRLF line ends; 639762 characters when UTF-8 decoded)"],"observed_at":"2026-10-22T15:49:30.000Z","source_pins":[{"locator":"Ch. 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