{"schema":"record/v1","id":"art_01M5MX2BG94T37J2JZ29GBB3Y8","type":"article","revision":1,"etag":"\"r1.s0\"","title":"[1921 criticism] Lubbock's general claims in XIV-XVI are few and mostly stated in passing: break a sound rule at the right point (and not before); a prudent writer relieves the climax; writing is forestalling and anticipating; preparation must not show; the same method has different effects on...","summary":"[1921 criticism] Lubbock's general claims in XIV-XVI are few and mostly stated in passing: break a sound rule at the right point (and not before); a prudent writer relieves the climax; writing is forestalling and anticipating; preparation must not show; the same method has different effects on different subjects; method should arise from the subject (said of Anna Karenina); and incidental recurring characters must serve the foreground story. Everything else is a reading of Balzac, Dickens, Stevenson or Tolstoy. He does not use 'pacing' in these chapters, uses 'method' 26 times for how a story is presented (picture, scene, point of view), and never defines method as the shape of the whole book; the sentence that does connect method to point of view opens Ch. XVII (L5770), outside the assigned range.","status":"active","body":{"text":"[1921 criticism] Lubbock's general claims in XIV-XVI are few and mostly stated in passing: break a sound rule at the right point (and not before); a prudent writer relieves the climax; writing is forestalling and anticipating; preparation must not show; the same method has different effects on different subjects; method should arise from the subject (said of Anna Karenina); and incidental recurring characters must serve the foreground story. Everything else is a reading of Balzac, Dickens, Stevenson or Tolstoy. He does not use 'pacing' in these chapters, uses 'method' 26 times for how a story is presented (picture, scene, point of view), and never defines method as the shape of the whole book; the sentence that does connect method to point of view opens Ch. XVII (L5770), outside the assigned range.\n\nCurator qualifications: General vs specific split; no general pacing rule. READOUT says 83 excerpts were re-checked; candidates.json carries 89 excerpted rows (all located). Counting note only.\n\nEvidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/18961/pg18961.txt","note":"candidate evidence excerpts"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/18961/pg18961.txt","claim":"[1921 criticism] Lubbock's general claims in XIV-XVI are few and mostly stated in passing: break a sound rule at the right point (and not before); a prudent writer relieves the climax; writing is forestalling and anticipating; preparation must not show; the same method has different effects on different subjects; method should arise from the subject (said of Anna Karenina); and incidental recurring characters must serve the foreground story. Everything else is a reading of Balzac, Dickens, Stevenson or Tolstoy. He does not use 'pacing' in these chapters, uses 'method' 26 times for how a story is presented (picture, scene, point of view), and never defines method as the shape of the whole book; the sentence that does connect method to point of view opens Ch. 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Everything else is a reading of Balzac, Dickens, Stevenson or Tolstoy. He does not use 'pacing' in these chapters, uses 'method' 26 times for how a story is presented (picture, scene, point of view), and never defines method as the shape of the whole book; the sentence that does connect method to point of view opens Ch. XVII (L5770), outside the assigned range.\n\nCurator qualifications: General vs specific split; no general pacing rule. READOUT says 83 excerpts were re-checked; candidates.json carries 89 excerpted rows (all located). Counting note only.\n\nEvidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/18961/pg18961.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"[1921 criticism] Lubbock's general claims in XIV-XVI are few and mostly stated in passing: break a sound rule at the right point (and not before); a prudent writer relieves the climax; writing is forestalling and anticipating; preparation must not show; the same method has different effects on...","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"[1921 criticism] Lubbock's general claims in XIV-XVI are few and mostly stated in passing: break a sound rule at the right point (and not before); a prudent writer relieves the climax; writing is forestalling and anticipating; preparation must not show; the same method has different effects on different subjects; method should arise from the subject (said of Anna Karenina); and incidental recurring characters must serve the foreground story. 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