{"schema":"record/v1","id":"art_01M5MWWYQD4058FQDVWVPV50PZ","type":"article","revision":1,"etag":"\"r1.s0\"","title":"In Lubbock's Craft of Fiction (1921), chapters XIV-XV, what job does a long opening 'picture' (setting, household, past) do for the later action of a book, and what does he say it costs or requires?","summary":"[1921 criticism] Lubbock reads Balzac (Pere Goriot, Eugenie Grandet) as building a full picture of place, household and past before the action starts, so that the action 'starts forward with a reserve of vigour' and everything that happens there inherits the setting. He calls this 'a provision of character and energy for the drama'. He also says the plain, complete inventory style only works because Balzac knows everything about the place; in most hands it would be description the eye passes over. This is a critic's reading of two novels, not a tested rule.","status":"active","body":{"text":"[1921 criticism] Lubbock reads Balzac (Pere Goriot, Eugenie Grandet) as building a full picture of place, household and past before the action starts, so that the action 'starts forward with a reserve of vigour' and everything that happens there inherits the setting. He calls this 'a provision of character and energy for the drama'. He also says the plain, complete inventory style only works because Balzac knows everything about the place; in most hands it would be description the eye passes over. This is a critic's reading of two novels, not a tested rule.\n\nCurator qualifications: Opening picture prepares later action (Balzac readings), with Lubbock's 'most hands' caveat.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/18961/pg18961.txt","note":"candidate evidence excerpts"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/18961/pg18961.txt","claim":"[1921 criticism] Lubbock reads Balzac (Pere Goriot, Eugenie Grandet) as building a full picture of place, household and past before the action starts, so that the action 'starts forward with a reserve of vigour' and everything that happens there inherits the setting. He calls this 'a provision of character and energy for the drama'. He also says the plain, complete inventory style only works because Balzac knows everything about the place; in most hands it would be description the eye passes over. 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He calls this 'a provision of character and energy for the drama'. He also says the plain, complete inventory style only works because Balzac knows everything about the place; in most hands it would be description the eye passes over. This is a critic's reading of two novels, not a tested rule.\n\nCurator qualifications: Opening picture prepares later action (Balzac readings), with Lubbock's 'most hands' caveat.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/18961/pg18961.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"In Lubbock's Craft of Fiction (1921), chapters XIV-XV, what job does a long opening 'picture' (setting, household, past) do for the later action of a book, and what does he say it costs or requires?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"[1921 criticism] Lubbock reads Balzac (Pere Goriot, Eugenie Grandet) as building a full picture of place, household and past before the action starts, so that the action 'starts forward with a reserve of vigour' and everything that happens there inherits the setting. 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