{"schema":"record/v1","id":"art_01M5MWWP5VTH01FS51QG4VKCTS","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How does Lubbock (1921, Ch. XII) read the method of The Wings of the Dove for showing a hidden fact about a character, and which parts are general claims?","summary":"1921 criticism by Percy Lubbock (a critic, not a novelist describing his own practice). Lubbock's general claim in Ch. XII is that the less a subject can express itself in action, the more it needs 'the arts of drama', and that this is not done by 'peppering the surface with animated dialogue'. His reading of The Wings of the Dove: Milly's two hidden facts reach the reader 'whole' because James 'surrounds' them: at the moment of her deepest thought the author leaves her and gives only a friend's glimpse of her; later her mind is shown on a light surface with no allusion to the trouble, and the earlier glimpse changes how the reader sees it. A later scene (Susan Stringham and Densher) conveys an appeal through broken phrases, setting and movement. Several characters in turn provide the point of view.","status":"active","body":{"text":"1921 criticism by Percy Lubbock (a critic, not a novelist describing his own practice). Lubbock's general claim in Ch. XII is that the less a subject can express itself in action, the more it needs 'the arts of drama', and that this is not done by 'peppering the surface with animated dialogue'. His reading of The Wings of the Dove: Milly's two hidden facts reach the reader 'whole' because James 'surrounds' them: at the moment of her deepest thought the author leaves her and gives only a friend's glimpse of her; later her mind is shown on a light surface with no allusion to the trouble, and the earlier glimpse changes how the reader sees it. A later scene (Susan Stringham and Densher) conveys an appeal through broken phrases, setting and movement. Several characters in turn provide the point of view.\n\nCurator qualifications: Wings of the Dove reading ('surround the fact').\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/18961/pg18961.txt","note":"candidate evidence excerpts"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/18961/pg18961.txt","claim":"1921 criticism by Percy Lubbock (a critic, not a novelist describing his own practice). Lubbock's general claim in Ch. XII is that the less a subject can express itself in action, the more it needs 'the arts of drama', and that this is not done by 'peppering the surface with animated dialogue'. His reading of The Wings of the Dove: Milly's two hidden facts reach the reader 'whole' because James 'surrounds' them: at the moment of her deepest thought the author leaves her and gives only a friend's glimpse of her; later her mind is shown on a light surface with no allusion to the trouble, and the earlier glimpse changes how the reader sees it. A later scene (Susan Stringham and Densher) conveys an appeal through broken phrases, setting and movement. 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Lubbock's general claim in Ch. XII is that the less a subject can express itself in action, the more it needs 'the arts of drama', and that this is not done by 'peppering the surface with animated dialogue'. His reading of The Wings of the Dove: Milly's two hidden facts reach the reader 'whole' because James 'surrounds' them: at the moment of her deepest thought the author leaves her and gives only a friend's glimpse of her; later her mind is shown on a light surface with no allusion to the trouble, and the earlier glimpse changes how the reader sees it. A later scene (Susan Stringham and Densher) conveys an appeal through broken phrases, setting and movement. Several characters in turn provide the point of view.\n\nCurator qualifications: Wings of the Dove reading ('surround the fact').\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/18961/pg18961.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"How does Lubbock (1921, Ch. XII) read the method of The Wings of the Dove for showing a hidden fact about a character, and which parts are general claims?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"1921 criticism by Percy Lubbock (a critic, not a novelist describing his own practice). Lubbock's general claim in Ch. 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