{"schema":"record/v1","id":"art_01M5MVR8FKKRGBWP3F7CN30C67","type":"article","revision":1,"etag":"\"r1.s0\"","title":"Can a photoplay character change during the story or must he stay the same, and what do Phillips (1914) and Münsterberg (1916) say?","summary":"Both authors allow change but ask for consistency, and neither gives a preparation method. Phillips says a character 'may develop from weakness to strength' (adding that each bit of action is itself weak or strong), that a hero may act wrongly 'in that stage of his character development before the elements of the story itself change him from weak to strong', and, in rows already published (C3-B256-S71-04 E9, E10), that a thoroughly bad character must remain bad while a good one who goes bad may be bettered but must suffer. He also wants each person's characteristics maintained throughout, a character with consistent traits, characters subservient to the climax, and calls a character study 'next to impossible' in photodrama. Münsterberg's chief demand is that the characters remain consistent and the action develop by inner necessity; he doubts the theorists' view that development of character is for drama alone and the photoplay must use types. Phillips offers one example of a motive...","status":"active","body":{"text":"Both authors allow change but ask for consistency, and neither gives a preparation method. Phillips says a character 'may develop from weakness to strength' (adding that each bit of action is itself weak or strong), that a hero may act wrongly 'in that stage of his character development before the elements of the story itself change him from weak to strong', and, in rows already published (C3-B256-S71-04 E9, E10), that a thoroughly bad character must remain bad while a good one who goes bad may be bettered but must suffer. He also wants each person's characteristics maintained throughout, a character with consistent traits, characters subservient to the climax, and calls a character study 'next to impossible' in photodrama. Münsterberg's chief demand is that the characters remain consistent and the action develop by inner necessity; he doubts the theorists' view that development of character is for drama alone and the photoplay must use types. Phillips offers one example of a motive for a change (a letter insert); neither author gives a count of scenes or a device list.\n\nCurator qualifications: Phillips allows weak-to-strong development with consistency, and gives no preparation method (bounded counts reproduce).\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"candidate evidence excerpts"},{"url":"https://www.gutenberg.org/cache/epub/15383/pg15383.txt","note":"candidate evidence excerpts"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","claim":"Both authors allow change but ask for consistency, and neither gives a preparation method. 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