{"schema":"record/v1","id":"art_01M5MVR25NNKX7QGP29K4637QJ","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What prices and payment practice does Chapter XXI of Esenwein and Leeds (1919) report for photoplay scripts, how should the writer state a price, and what do Chapters XVII and XXI say or leave unsaid about the rights a sale conveys?","summary":"1919 US trade advice, not law. The authors give rough figures: minimum about $50 per reel, $100 or more at larger companies, $1,000 for a five-reel script or synopsis at leading producers, more for big names. They say to write only 'Submitted at usual rates'. A script that must be rewritten for the company's star earns little more than a bare idea. Chapters XVII and XXI say nothing about contracts, assignment or the rights a free-lance sale conveys; the only rights statement is about published fiction whose authors may reserve dramatic rights.","status":"active","body":{"text":"1919 US trade advice, not law. The authors give rough figures: minimum about $50 per reel, $100 or more at larger companies, $1,000 for a five-reel script or synopsis at leading producers, more for big names. They say to write only 'Submitted at usual rates'. A script that must be rewritten for the company's star earns little more than a bare idea. Chapters XVII and XXI say nothing about contracts, assignment or the rights a free-lance sale conveys; the only rights statement is about published fiction whose authors may reserve dramatic rights.\n\nCurator qualifications: Prices are the authors' unsourced rough figures; the $200-per-reel arithmetic is the worker's. The rights negative is scoped to Ch. XXI; the 'dramatic rights' practice sits at L8736 in Ch. XVII.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/17903/pg17903.txt","note":"Ch. XXI price passage"}]},"categories":["T01","T04"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/17903/pg17903.txt","claim":"1919 US trade advice, not law. The authors give rough figures: minimum about $50 per reel, $100 or more at larger companies, $1,000 for a five-reel script or synopsis at leading producers, more for big names. They say to write only 'Submitted at usual rates'. A script that must be rewritten for the company's star earns little more than a bare idea. Chapters XVII and XXI say nothing about contracts, assignment or the rights a free-lance sale conveys; the only rights statement is about published fiction whose authors may reserve dramatic rights.","locator":"Ch. 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The authors give rough figures: minimum about $50 per reel, $100 or more at larger companies, $1,000 for a five-reel script or synopsis at leading producers, more for big names. They say to write only 'Submitted at usual rates'. A script that must be rewritten for the company's star earns little more than a bare idea. Chapters XVII and XXI say nothing about contracts, assignment or the rights a free-lance sale conveys; the only rights statement is about published fiction whose authors may reserve dramatic rights.\n\nCurator qualifications: Prices are the authors' unsourced rough figures; the $200-per-reel arithmetic is the worker's. The rights negative is scoped to Ch. XXI; the 'dramatic rights' practice sits at L8736 in Ch. XVII.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/17903/pg17903.txt","note":"Ch. XXI price passage"}]},"tags":[],"type":"article","links":[],"title":"What prices and payment practice does Chapter XXI of Esenwein and Leeds (1919) report for photoplay scripts, how should the writer state a price, and what do Chapters XVII and XXI say or leave unsaid about the rights a sale conveys?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"1919 US trade advice, not law. The authors give rough figures: minimum about $50 per reel, $100 or more at larger companies, $1,000 for a five-reel script or synopsis at leading producers, more for big names. They say to write only 'Submitted at usual rates'. A script that must be rewritten for the company's star earns little more than a bare idea. Chapters XVII and XXI say nothing about contracts, assignment or the rights a free-lance sale conveys; the only rights statement is about published fiction whose authors may reserve dramatic rights.","evidence":{"claims":[{"url":"https://www.gutenberg.org/cache/epub/17903/pg17903.txt","claim":"1919 US trade advice, not law. The authors give rough figures: minimum about $50 per reel, $100 or more at larger companies, $1,000 for a five-reel script or synopsis at leading producers, more for big names. They say to write only 'Submitted at usual rates'. A script that must be rewritten for the company's star earns little more than a bare idea. Chapters XVII and XXI say nothing about contracts, assignment or the rights a free-lance sale conveys; the only rights statement is about published fiction whose authors may reserve dramatic rights.","locator":"Ch. 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