{"schema":"record/v1","id":"art_01M5MVP0NKWH419CF1994HHCKY","type":"article","revision":1,"etag":"\"r1.s0\"","title":"Which does Aristotle (Butcher XXVI) rank higher, epic or tragedy, and on what grounds?","summary":"[Classical theory (in translation)] XXVI ranks tragedy above epic. It first answers the objection that tragedy is for a lower audience (the fault is the actors', and tragedy works by reading too), then gives positive grounds: tragedy has all the epic elements plus music and spectacle, is vivid in reading and in performance, attains its end within narrower limits (concentrated effect), has more unity, and so fulfils the pleasure proper to the art more perfectly. The ranking is an argued opinion, not an audience measurement.","status":"active","body":{"text":"[Classical theory (in translation)] XXVI ranks tragedy above epic. It first answers the objection that tragedy is for a lower audience (the fault is the actors', and tragedy works by reading too), then gives positive grounds: tragedy has all the epic elements plus music and spectacle, is vivid in reading and in performance, attains its end within narrower limits (concentrated effect), has more unity, and so fulfils the pleasure proper to the art more perfectly. 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