{"schema":"record/v1","id":"art_01M5MVNX12TY2XS25G4W0G2WP7","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How does Butcher's outline-first and episode-relevance advice in XVII compare, by candidate ID only, with Baker's 1919 scenario and with Screen Australia/BFI development documents?","summary":"Comparison made only through the candidates' own summaries (C3-B194-S47-01..03, C3-B220-S53-04 and -06, C3-B224-S56-03/-04; the underlying sources were not re-read and C3-B001-S1-04 is not repeated). Shared ground: all treat a short document or sketch made before the full work as the place to find structural problems (S47-02, S53-04 per their summaries). Differences: XVII gives no document types, page lengths, reader questions or revision order; Baker's scenario (per S47-01/-02) has a persons list, settings, action, flexible revision; Screen Australia's outline and scene breakdown (per S53-04) check scene order, repetition, dead ends, superfluous scenes, which is close to XVII's 'relevant to the action' rule. BFI (per S56-03) sits the treatment as the first funded stage. These parallels are this batch's reading of summaries, not claims of influence.","status":"active","body":{"text":"Comparison made only through the candidates' own summaries (C3-B194-S47-01..03, C3-B220-S53-04 and -06, C3-B224-S56-03/-04; the underlying sources were not re-read and C3-B001-S1-04 is not repeated). Shared ground: all treat a short document or sketch made before the full work as the place to find structural problems (S47-02, S53-04 per their summaries). Differences: XVII gives no document types, page lengths, reader questions or revision order; Baker's scenario (per S47-01/-02) has a persons list, settings, action, flexible revision; Screen Australia's outline and scene breakdown (per S53-04) check scene order, repetition, dead ends, superfluous scenes, which is close to XVII's 'relevant to the action' rule. BFI (per S56-03) sits the treatment as the first funded stage. These parallels are this batch's reading of summaries, not claims of influence.\n\nCurator qualifications: Comparison by other batches' summaries.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/1974/pg1974.txt","note":"candidate evidence excerpts"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/1974/pg1974.txt","claim":"Comparison made only through the candidates' own summaries (C3-B194-S47-01..03, C3-B220-S53-04 and -06, C3-B224-S56-03/-04; the underlying sources were not re-read and C3-B001-S1-04 is not repeated). Shared ground: all treat a short document or sketch made before the full work as the place to find structural problems (S47-02, S53-04 per their summaries). Differences: XVII gives no document types, page lengths, reader questions or revision order; Baker's scenario (per S47-01/-02) has a persons list, settings, action, flexible revision; Screen Australia's outline and scene breakdown (per S53-04) check scene order, repetition, dead ends, superfluous scenes, which is close to XVII's 'relevant to the action' rule. BFI (per S56-03) sits the treatment as the first funded stage. These parallels are this batch's reading of summaries, not claims of influence.","locator":"candidate evidence excerpts","classification":"sourced_fact"}],"execution_record_ids":[]},"rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"attribution":{"origin":"research_agent","upstream_owner":null,"upstream_url":null,"imported_from":"records/p-eaa4b31a776d4c3e30a1ab496610ce44a5af5bbf/record.json#p-eaa4b31a776d4c3e30a1ab496610ce44a5af5bbf/record","import_batch_id":"pipe-f6a03fa27832cb50fe9475504d3b0a76510c83f5","author":{"id":"agt_01M567T535N9K4S906FEMV4E3A","handle":"veyrul-import","display_name":"Veyrul import agent","operator":{"id":"opr_01M567T533RYKB8C78CGDCSZFZ","name":"Veyrul founder operations","verification":"declared"},"segment":"founder"}},"extensions":{"import/v1":{"imports":[{"batch_id":"pipe-f6a03fa27832cb50fe9475504d3b0a76510c83f5","original":{"body":{"text":"Comparison made only through the candidates' own summaries (C3-B194-S47-01..03, C3-B220-S53-04 and -06, C3-B224-S56-03/-04; the underlying sources were not re-read and C3-B001-S1-04 is not repeated). Shared ground: all treat a short document or sketch made before the full work as the place to find structural problems (S47-02, S53-04 per their summaries). Differences: XVII gives no document types, page lengths, reader questions or revision order; Baker's scenario (per S47-01/-02) has a persons list, settings, action, flexible revision; Screen Australia's outline and scene breakdown (per S53-04) check scene order, repetition, dead ends, superfluous scenes, which is close to XVII's 'relevant to the action' rule. BFI (per S56-03) sits the treatment as the first funded stage. These parallels are this batch's reading of summaries, not claims of influence.\n\nCurator qualifications: Comparison by other batches' summaries.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/1974/pg1974.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"How does Butcher's outline-first and episode-relevance advice in XVII compare, by candidate ID only, with Baker's 1919 scenario and with Screen Australia/BFI development documents?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Comparison made only through the candidates' own summaries (C3-B194-S47-01..03, C3-B220-S53-04 and -06, C3-B224-S56-03/-04; the underlying sources were not re-read and C3-B001-S1-04 is not repeated). Shared ground: all treat a short document or sketch made before the full work as the place to find structural problems (S47-02, S53-04 per their summaries). Differences: XVII gives no document types, page lengths, reader questions or revision order; Baker's scenario (per S47-01/-02) has a persons list, settings, action, flexible revision; Screen Australia's outline and scene breakdown (per S53-04) check scene order, repetition, dead ends, superfluous scenes, which is close to XVII's 'relevant to the action' rule. BFI (per S56-03) sits the treatment as the first funded stage. These parallels are this batch's reading of summaries, not claims of influence.","evidence":{"claims":[{"url":"https://www.gutenberg.org/cache/epub/1974/pg1974.txt","claim":"Comparison made only through the candidates' own summaries (C3-B194-S47-01..03, C3-B220-S53-04 and -06, C3-B224-S56-03/-04; the underlying sources were not re-read and C3-B001-S1-04 is not repeated). Shared ground: all treat a short document or sketch made before the full work as the place to find structural problems (S47-02, S53-04 per their summaries). Differences: XVII gives no document types, page lengths, reader questions or revision order; Baker's scenario (per S47-01/-02) has a persons list, settings, action, flexible revision; Screen Australia's outline and scene breakdown (per S53-04) check scene order, repetition, dead ends, superfluous scenes, which is close to XVII's 'relevant to the action' rule. BFI (per S56-03) sits the treatment as the first funded stage. 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