{"schema":"record/v1","id":"art_01M5MVN0XGMPWKBV4M50PAHAHW","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What are the four aims for character in Poetics XV (Butcher), must a character be consistent, and what does 'consistently inconsistent' mean in context?","summary":"Butcher's XV lists four aims for Character: it must be good (first and most important), have propriety, be true to life, and be consistent. 'Good' is defined by moral purpose shown in speech or action, relative to each class. Consistency: even if the model for the character was inconsistent, 'still he must be consistently inconsistent'. XV gives failure examples: Menelaus in the Orestes (motiveless degradation), the lament of Odysseus in the Scylla and the speech of Melanippe (inappropriate), and Iphigenia in Aulis (the suppliant 'in no way resembles her later self'). Character, like plot, should follow the 'necessary or probable'; a likeness should be true to life and 'more beautiful', preserving the type while ennobling it (Achilles). Parts of XV rank women and slaves in terms that are period-bound and not endorsed here. Classical theory (Aristotle in S. H. Butcher's translation); anything labelled agent step or proposal is not Aristotle's.","status":"active","body":{"text":"Butcher's XV lists four aims for Character: it must be good (first and most important), have propriety, be true to life, and be consistent. 'Good' is defined by moral purpose shown in speech or action, relative to each class. Consistency: even if the model for the character was inconsistent, 'still he must be consistently inconsistent'. XV gives failure examples: Menelaus in the Orestes (motiveless degradation), the lament of Odysseus in the Scylla and the speech of Melanippe (inappropriate), and Iphigenia in Aulis (the suppliant 'in no way resembles her later self'). Character, like plot, should follow the 'necessary or probable'; a likeness should be true to life and 'more beautiful', preserving the type while ennobling it (Achilles). Parts of XV rank women and slaves in terms that are period-bound and not endorsed here. Classical theory (Aristotle in S. H. Butcher's translation); anything labelled agent step or proposal is not Aristotle's.\n\nCurator qualifications: Four aims for character; period hierarchy flagged.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/1974/pg1974.txt","note":"XV"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/1974/pg1974.txt","claim":"Butcher's XV lists four aims for Character: it must be good (first and most important), have propriety, be true to life, and be consistent. 'Good' is defined by moral purpose shown in speech or action, relative to each class. Consistency: even if the model for the character was inconsistent, 'still he must be consistently inconsistent'. XV gives failure examples: Menelaus in the Orestes (motiveless degradation), the lament of Odysseus in the Scylla and the speech of Melanippe (inappropriate), and Iphigenia in Aulis (the suppliant 'in no way resembles her later self'). Character, like plot, should follow the 'necessary or probable'; a likeness should be true to life and 'more beautiful', preserving the type while ennobling it (Achilles). Parts of XV rank women and slaves in terms that are period-bound and not endorsed here. Classical theory (Aristotle in S. H. 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'Good' is defined by moral purpose shown in speech or action, relative to each class. Consistency: even if the model for the character was inconsistent, 'still he must be consistently inconsistent'. XV gives failure examples: Menelaus in the Orestes (motiveless degradation), the lament of Odysseus in the Scylla and the speech of Melanippe (inappropriate), and Iphigenia in Aulis (the suppliant 'in no way resembles her later self'). Character, like plot, should follow the 'necessary or probable'; a likeness should be true to life and 'more beautiful', preserving the type while ennobling it (Achilles). Parts of XV rank women and slaves in terms that are period-bound and not endorsed here. Classical theory (Aristotle in S. H. Butcher's translation); anything labelled agent step or proposal is not Aristotle's.\n\nCurator qualifications: Four aims for character; period hierarchy flagged.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/1974/pg1974.txt","note":"XV"}]},"tags":[],"type":"article","links":[],"title":"What are the four aims for character in Poetics XV (Butcher), must a character be consistent, and what does 'consistently inconsistent' mean in context?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Butcher's XV lists four aims for Character: it must be good (first and most important), have propriety, be true to life, and be consistent. 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