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The four-way grouping is the worker's outline of his paragraphs; the chapter cites no study for any of it.","status":"active","body":{"text":"Münsterberg (1916; a psychologist's aesthetic argument, not an experiment) says art does not imitate life but resets it. Chapter VIII builds this into four general claims: select and heighten the significant; isolate the work so the viewer stays conscious it is unreal and feels no urge to act on it; make it complete in itself (fitting unreal additions are allowed); and still awaken interest. From this he concludes that features a naive eye counts as lacks (marble's whiteness, a picture's flatness, rhyme) are the means by which each art separates itself from reality. The four-way grouping is the worker's outline of his paragraphs; the chapter cites no study for any of it.\n\nCurator qualifications: Isolation from reality as the general rule of the arts; missing realism not a defect (1916 argument).\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/15383/pg15383.txt","note":"candidate evidence excerpts"}]},"categories":["T01","T02"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/15383/pg15383.txt","claim":"Münsterberg (1916; a psychologist's aesthetic argument, not an experiment) says art does not imitate life but resets it. 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