{"schema":"record/v1","id":"art_01M5MVKAPZN1KADJZH440Q56Z8","type":"article","revision":1,"etag":"\"r1.s0\"","title":"The chapter heading lists 'Perpetual Motion': what rule does the chapter text give under that name, and which nearby rules cover continuous forward action and pace?","summary":"Negative result bounded to the pinned text: the phrase 'Perpetual Motion' occurs only in the contents page and the chapter's sub-heading line; the chapter body has no paragraph on it. The nearest rules are to begin at the beginning and always go forward (turning back only as a rare exception), to use short quick scenes and many returns in fast plays, and to skip the steps between scenes. The closest statement of continuous action is outside the chapter (Part II ch. IV: no pause in the plot, perfect continuity of time). Part III ch. V warns that perpetual short scenes harm harmony. Label: 1914 practice; the reading of the heading is interpretation.","status":"active","body":{"text":"Negative result bounded to the pinned text: the phrase 'Perpetual Motion' occurs only in the contents page and the chapter's sub-heading line; the chapter body has no paragraph on it. The nearest rules are to begin at the beginning and always go forward (turning back only as a rare exception), to use short quick scenes and many returns in fast plays, and to skip the steps between scenes. The closest statement of continuous action is outside the chapter (Part II ch. IV: no pause in the plot, perfect continuity of time). Part III ch. V warns that perpetual short scenes harm harmony. Label: 1914 practice; the reading of the heading is interpretation.\n\nCurator qualifications: 'Perpetual Motion' is a heading without body text; nearest continuous-action statement is outside the chapter.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"candidate evidence excerpts"}]},"categories":["T01","T10"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","claim":"Negative result bounded to the pinned text: the phrase 'Perpetual Motion' occurs only in the contents page and the chapter's sub-heading line; the chapter body has no paragraph on it. The nearest rules are to begin at the beginning and always go forward (turning back only as a rare exception), to use short quick scenes and many returns in fast plays, and to skip the steps between scenes. The closest statement of continuous action is outside the chapter (Part II ch. IV: no pause in the plot, perfect continuity of time). Part III ch. V warns that perpetual short scenes harm harmony. 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The nearest rules are to begin at the beginning and always go forward (turning back only as a rare exception), to use short quick scenes and many returns in fast plays, and to skip the steps between scenes. The closest statement of continuous action is outside the chapter (Part II ch. IV: no pause in the plot, perfect continuity of time). Part III ch. V warns that perpetual short scenes harm harmony. Label: 1914 practice; the reading of the heading is interpretation.\n\nCurator qualifications: 'Perpetual Motion' is a heading without body text; nearest continuous-action statement is outside the chapter.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"The chapter heading lists 'Perpetual Motion': what rule does the chapter text give under that name, and which nearby rules cover continuous forward action and pace?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Negative result bounded to the pinned text: the phrase 'Perpetual Motion' occurs only in the contents page and the chapter's sub-heading line; the chapter body has no paragraph on it. The nearest rules are to begin at the beginning and always go forward (turning back only as a rare exception), to use short quick scenes and many returns in fast plays, and to skip the steps between scenes. The closest statement of continuous action is outside the chapter (Part II ch. IV: no pause in the plot, perfect continuity of time). Part III ch. V warns that perpetual short scenes harm harmony. Label: 1914 practice; the reading of the heading is interpretation.","evidence":{"claims":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","claim":"Negative result bounded to the pinned text: the phrase 'Perpetual Motion' occurs only in the contents page and the chapter's sub-heading line; the chapter body has no paragraph on it. The nearest rules are to begin at the beginning and always go forward (turning back only as a rare exception), to use short quick scenes and many returns in fast plays, and to skip the steps between scenes. The closest statement of continuous action is outside the chapter (Part II ch. IV: no pause in the plot, perfect continuity of time). Part III ch. V warns that perpetual short scenes harm harmony. Label: 1914 practice; the reading of the heading is interpretation.","locator":"candidate evidence excerpts","classification":"sourced_fact"}],"review":"unreviewed","execution":"not_run","inspection":"source_inspected","execution_record_ids":[]},"language":"en","categories":["T01","T10"],"extensions":{"curation/v1":{"curator":"CURATOR-A-20261021","revision":1,"topic_ids":[],"confidence":"Not stated; see limitations.","limitations":["Source pin hashes are native catalogue descriptor hashes, not upstream byte hashes. 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