{"schema":"record/v1","id":"art_01M5MVK25QPBE5F8DWTE2BQ8DB","type":"article","revision":1,"etag":"\"r1.s0\"","title":"In Phillips's 1914 chapter 'Theme, Treatment and the Censor', how does he say a photoplaywright should choose a theme and then handle its moral or ethical treatment?","summary":"1914 US trade advice, Phillips's own voice. Theme and treatment are two decisions: the theme is 'Life' as the writer knows it, chosen by popular demand and the studios' needs; the treatment (viewpoint) is the 'far more delicate' judgment, because any theme can be spoiled by an injudicious one. The writer is told to record truth impersonally yet stay 'on the side of right and justice, good citizenship and decency', avoid caricaturing races, ridiculing creeds or satirizing politics for commercial and taste reasons, keep to the propriety of occasion, occupation and environment, and avoid both propaganda and obscenity (do not be 'a prude or a preacher'). These are Phillips's recommendations; the chapter cites no rule text for them.","status":"active","body":{"text":"1914 US trade advice, Phillips's own voice. Theme and treatment are two decisions: the theme is 'Life' as the writer knows it, chosen by popular demand and the studios' needs; the treatment (viewpoint) is the 'far more delicate' judgment, because any theme can be spoiled by an injudicious one. The writer is told to record truth impersonally yet stay 'on the side of right and justice, good citizenship and decency', avoid caricaturing races, ridiculing creeds or satirizing politics for commercial and taste reasons, keep to the propriety of occasion, occupation and environment, and avoid both propaganda and obscenity (do not be 'a prude or a preacher'). 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