{"schema":"record/v1","id":"art_01M5MVJYDZ8X5TBYE7CGC64WXH","type":"article","revision":1,"etag":"\"r1.s0\"","title":"Agent check: given a story idea, how would an agent choose a form (drama, melodrama, comedy, tragedy) and a length (split reel, one reel, multi-reel) using Phillips's 1914 tests?","summary":"A proposed form-and-length check built from Phillips (1914): count the idea's climacteric situations to choose Short Play versus Long Play, reject padding, label the form by obstacle source and effect source, apply comedy, tragedy and drama gates, run a spectacle necessity gate and an adaptation gate, and record the result with 1914-practice and proposal labels separated. The steps are the worker's assembly of tests Phillips states separately; he does not give one procedure.","status":"active","body":{"text":"A proposed form-and-length check built from Phillips (1914): count the idea's climacteric situations to choose Short Play versus Long Play, reject padding, label the form by obstacle source and effect source, apply comedy, tragedy and drama gates, run a spectacle necessity gate and an adaptation gate, and record the result with 1914-practice and proposal labels separated. The steps are the worker's assembly of tests Phillips states separately; he does not give one procedure.\n\nCurator qualifications: Eight-step form/length check labelled 1914 vs proposal; L10 not run.\n\nEvidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"candidate evidence excerpts"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","claim":"A proposed form-and-length check built from Phillips (1914): count the idea's climacteric situations to choose Short Play versus Long Play, reject padding, label the form by obstacle source and effect source, apply comedy, tragedy and drama gates, run a spectacle necessity gate and an adaptation gate, and record the result with 1914-practice and proposal labels separated. 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The steps are the worker's assembly of tests Phillips states separately; he does not give one procedure.\n\nCurator qualifications: Eight-step form/length check labelled 1914 vs proposal; L10 not run.\n\nEvidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"Agent check: given a story idea, how would an agent choose a form (drama, melodrama, comedy, tragedy) and a length (split reel, one reel, multi-reel) using Phillips's 1914 tests?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"A proposed form-and-length check built from Phillips (1914): count the idea's climacteric situations to choose Short Play versus Long Play, reject padding, label the form by obstacle source and effect source, apply comedy, tragedy and drama gates, run a spectacle necessity gate and an adaptation gate, and record the result with 1914-practice and proposal labels separated. 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