{"schema":"record/v1","id":"art_01M5MVJTFA5DWYNPTE4X1KQ62G","type":"article","revision":1,"etag":"\"r1.s0\"","title":"In Phillips's 1914 manual, what is the difference between a split-reel, a one-reel short play and a multi-reel long play, what can each hold, and what goes wrong with each?","summary":"In Phillips (1914) a reel is 1,000 feet (about twenty minutes by his Part I count), a Split Reel is less than a reel and in practice plotless-farce fragments, a Short Play is one reel and one part, and a Long Play is more than one reel. The Short Play is like a short story, pursued intensively from opening to culmination; the Long Play is like a novel and is not a padded or sectioned Short Play: each reel is a unit with its own climacteric situation, ends with a new complication and a new formidable obstacle, and must advance. The chapter itself gives no scene or footage counts; those are in other parts of the book.","status":"active","body":{"text":"In Phillips (1914) a reel is 1,000 feet (about twenty minutes by his Part I count), a Split Reel is less than a reel and in practice plotless-farce fragments, a Short Play is one reel and one part, and a Long Play is more than one reel. The Short Play is like a short story, pursued intensively from opening to culmination; the Long Play is like a novel and is not a padded or sectioned Short Play: each reel is a unit with its own climacteric situation, ends with a new complication and a new formidable obstacle, and must advance. The chapter itself gives no scene or footage counts; those are in other parts of the book.\n\nCurator qualifications: Source arithmetic does not reconcile (three acts x 40 min vs 1h20); outside-chapter figures labelled.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"Part I (outside chapter) lines 775-779"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","claim":"In Phillips (1914) a reel is 1,000 feet (about twenty minutes by his Part I count), a Split Reel is less than a reel and in practice plotless-farce fragments, a Short Play is one reel and one part, and a Long Play is more than one reel. The Short Play is like a short story, pursued intensively from opening to culmination; the Long Play is like a novel and is not a padded or sectioned Short Play: each reel is a unit with its own climacteric situation, ends with a new complication and a new formidable obstacle, and must advance. 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The Short Play is like a short story, pursued intensively from opening to culmination; the Long Play is like a novel and is not a padded or sectioned Short Play: each reel is a unit with its own climacteric situation, ends with a new complication and a new formidable obstacle, and must advance. The chapter itself gives no scene or footage counts; those are in other parts of the book.\n\nCurator qualifications: Source arithmetic does not reconcile (three acts x 40 min vs 1h20); outside-chapter figures labelled.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/70937/pg70937.txt","note":"Part I (outside chapter) lines 775-779"}]},"tags":[],"type":"article","links":[],"title":"In Phillips's 1914 manual, what is the difference between a split-reel, a one-reel short play and a multi-reel long play, what can each hold, and what goes wrong with each?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"In Phillips (1914) a reel is 1,000 feet (about twenty minutes by his Part I count), a Split Reel is less than a reel and in practice plotless-farce fragments, a Short Play is one reel and one part, and a Long Play is more than one reel. 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