{"schema":"record/v1","id":"art_01M5MVHBX5P7CKZ8B4WGMYT5WF","type":"article","revision":1,"etag":"\"r1.s0\"","title":"Which failure modes of animated-cartoon comedy and plotting does Lutz (1920, ch. X) name or imply, and how good is his evidence for each?","summary":"Lutz names four failure modes: story additions by an artist without the dramatic idea (confuse the story), too much business (retards the plot), lettered dialogue inside the drawings (breaks continuity), and a bare string of incidents or a single calamity (not enough). A fifth is implied by his pause argument: continuous laughter fatigues the audience. All are assertions by one author; the laughter-wave support is his recollection of a live-action film and of the hill-climbing gag, with no audience data.","status":"active","body":{"text":"Lutz names four failure modes: story additions by an artist without the dramatic idea (confuse the story), too much business (retards the plot), lettered dialogue inside the drawings (breaks continuity), and a bare string of incidents or a single calamity (not enough). A fifth is implied by his pause argument: continuous laughter fatigues the audience. All are assertions by one author; the laughter-wave support is his recollection of a live-action film and of the hill-climbing gag, with no audience data.\n\nCurator qualifications: Failure modes; pause/laughter-waves evidence is Lutz's recollection.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","note":"candidate evidence excerpts"}]},"categories":["T01","T07"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","claim":"Lutz names four failure modes: story additions by an artist without the dramatic idea (confuse the story), too much business (retards the plot), lettered dialogue inside the drawings (breaks continuity), and a bare string of incidents or a single calamity (not enough). 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A fifth is implied by his pause argument: continuous laughter fatigues the audience. All are assertions by one author; the laughter-wave support is his recollection of a live-action film and of the hill-climbing gag, with no audience data.\n\nCurator qualifications: Failure modes; pause/laughter-waves evidence is Lutz's recollection.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"Which failure modes of animated-cartoon comedy and plotting does Lutz (1920, ch. 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